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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cutting for Story: Editor Andrew Weisblum

February 27, 2013, 08:17 PM

http://filmmakermagazine.com/65870-cutting-for-sto...

Thelma Schoonmaker and Martin Scorsese. Walter Murch and Francis Ford Coppola. Tim Squyres and Ang Lee. For many an editor, these longtime creative partnerships represent the most alluring and elusive of career ideals. For editor Andrew Weisblum, that ideal is well on the way to becoming a reality — twice over.

Temple alumnus wins Oscar for film editing

February 26, 2013, 07:43 AM

http://news.temple.edu/news/2013-02-25/temple-film...

At about 10:30 p.m. on Sunday evening, Sandra Bullock opened the envelope. "And the Oscar goes to," she said as she tore, "William Goldenberg, 'Argo.'" With those eight words, veteran film editor and Temple alumnus William Goldenberg, BA SMC '82, won an Academy Award for "Best Film Editing" from the Academy of Motion Picture Arts and Sciences at the 85th annual Academy Awards ceremony Feb. 24 at the Dolby Theater in Los Angeles.

OSCARS: Backstage Q/A

February 25, 2013, 02:56 PM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD -- The movie industry celebrated well into the early hours following the 85th annual Academy Awards--winners were thrilled and runner-ups were gracious.

Goldenberg's Oscar nods point to an editor...

February 24, 2013, 08:30 PM

http://www.latimes.com/entertainment/envelope/movi...

Veteran editor William Goldenberg reflects on a busy schedule that led to Oscar nominations for Ben Affleck's 'Argo' and Kathryn Bigelow's 'Zero Dark Thirty.'

Oscar editors clear up the biggest category miscon

February 23, 2013, 03:21 PM

http://www.cnn.com/2013/02/22/showbiz/movies/oscar...

Leading up to Sunday's Oscars, EW.com will take a closer look at four categories that moviegoers may mistakenly think of as "technical." First up: Film Editing, with insights from Life of Pi's Tim Squyres, Silver Linings Playbook's Jay Cassidy and Crispin Struthers, and Zero Dark Thirty's Dylan Tichenor and William Goldenberg, the latter of whom also cut Argo, making him one of only a handful of editors in Oscar history to compete with himself.

The A-Z of Cinema in 60 Seconds

February 23, 2013, 01:42 PM

http://jonnyelwyn.co.uk/cool-videos-films-projects...

Check out animator Evan Seitz's 5 amazing animated brain teasers featuring film titles by numbers, colours and countries. How many film titles can you name?!

#animation#film title mashup#abc cinema#evan seitz
Compositing Tips for DaVinci Resolve

February 23, 2013, 12:20 PM

http://jonnyelwyn.co.uk/tutorials-for-film-post-pr...

Check out these short video tutorials to learn how to use external mattes and multi-layer mattes to remove backgrounds or help to isolate specific parts of your image in DaVinci Resolve 9

#davinci resolve#compositing tips in resolve#mattes in resolve#external mattes
Oscar-nom. editors clear up biggest misconception

February 22, 2013, 09:14 PM

http://insidemovies.ew.com/2013/02/21/oscars-film-...

As Life of Pi‘s Squyres puts it, “An actor might read a particular line between six and 100 times, but only one take’s gonna be in the movie.” It’s the editor’s job to pick it, at least initially. It was on Sense and Sensibility, his fourth film with Lee, that Squyres had the epiphany all good editors experience: “It was the first film that I had done with Ang that was all in English, and it’s Emma Thompson, Kate Winslet, Alec Rickman, and Hugh Grant — these great, great actors...

Editor of Argo and Zero Dark Thirty on Suspense

February 22, 2013, 08:40 PM

http://www.vanityfair.com/online/oscars/2013/02/os...

In a continuing conversation with the Oscar season’s best-editing nominees, I recently had the privilege of talking with William Goldenberg, who is actually twice nominated—for Ben Affleck’s Argo and Kathryn Bigelow’s Zero Dark Thirty. (He shares the latter nomination with Dylan Tichenor.) Goldenberg was previously nominated for Seabiscuit and The Insider. Highlights from our conversation...

#editor#ace#film editor#william goldenberg#american cinema editors
Zero Dark Thirty

February 22, 2013, 04:56 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

Kathryn Bigelow's fact-based 'Zero Dark Thirty' puts the audience right there in the decade-long hunt to get Osama bin Laden — without the usual Hollywood conventions, thanks in part to its two editors, Dylan Tichenor (There Will Be Blood)', A.C.E., and William Goldenberg ('Argo'), A.C.E., and Oscar-winning sound designer/re-recording mixer Paul Ottosson ('The Hurt Locker'). Tense and often disturbing, the political thriller captures a myriad of events with clarity and precision.

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