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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colour Grading Dr. Who In Baselight

February 19, 2013, 11:40 AM

http://jonnyelwyn.co.uk/cool-videos-films-projects...

Check out this 20 minute colour grading walk through of BBC drama series Dr. Who from Bob Chorley using Baselight

#filmlight#baselight#dr who#colour grading walkthrough#grading breakdown
Stephen Garrett on crafting a winning trailer

February 19, 2013, 07:55 AM

http://filmmakermagazine.com/37093-first-impressio...

It’s only two minutes long. But it’s the way a film greets the world. For a self-distributor, it can mean getting 100,000 hits on YouTube within a week. For indie filmmakers trying to make an impression, it’s a chance to have their no-budget D.I.Y. movies stand shoulder-to-shoulder with The Hobbit and Avatar 2 on iTunes. And it has a long shelf life; years after a theatrical release is over, it will be one of the first things to pop up on a Google word search.

Shooting And Editing Life Of Pi

February 19, 2013, 07:54 AM

http://www.definitionmagazine.com/journal/2013/2/1...

The production shot with six Alexa cameras paired on three Cameron Pace Fusion rigs with ARRI / Zeiss Master Primes. The uncompressed HD data was recorded to Codex recorders. The result is a remarkable cinematic accomplishment that enhances the viewing experience and immerses audiences in a sea of breathtaking imagery. Here DP Claudio Miranda talks about materialising images and emotions on a grand scale for Life Of Pi.

Oscar Guide 2013: Best Film Editing

February 18, 2013, 05:20 PM

http://www.hitfix.com/in-contention/oscar-guide-20...

Best Film Editing is the technical category most closely linked to Best Picture: the slate is routinely dominated by Best Picture contenders, and it's an oft-repeated stat that no film has won the top prize without an editing nod since "Ordinary People" 32 years ago. That's no random Oscar voodoo. Editing is a narrative-determining craft -- it's often said the editor functions as another screenwriter -- so it stands to reason that the Academy's favorite films figure most into this category.

Nominated Editors Break Down Key Scenes

February 18, 2013, 01:50 PM

http://www.deadline.com/2013/02/oscars-nominated-f...

The film editing race is both diverse and expected. All five nominated films are also up for best picture, and the individual editors range from three-time Oscar winner Michael Kahn to several first-time nominees and one nominee, William Goldenberg, nominated for work on two separate films.

The Power of Subtle Filmmaking

February 18, 2013, 12:46 PM

http://jonnyelwyn.co.uk/cool-videos-films-projects...

Adam and Dog is a beautiful example of the power of subtle filmmaking to convey complex ideas in simple metaphors. It is a stunningly hand-drawn Oscar nominated film.

#animation#oscar nominated#adam and dog#subtle filmmaking
Will an Avid editor Sweep the Eddies and Oscars

February 16, 2013, 04:10 PM

http://feeds.avid.com/~r/AvidCommunityBuzz/~3/8IDY...

With the American Cinema Editors (ACE) Eddie Awards taking place today, and the Academy Awards on the 24th, we’re in the thick of Awards season. You may not already know that all of the Oscar nominees for best picture, editing, sound mixing, sound editing, and score used one or more Avid solutions. And, all of the ACE Best Edited Feature Film nominees used Avid Media Composer.

Defining Conflict

February 13, 2013, 02:41 PM

http://masteringfilm.com/defining-conflict/

Conflict is essential to drama, but can be defined in different ways and take many different forms. Conflict can come from external factors, from within a character, or arise from a combination of forces.

The movie that watches its audience

February 12, 2013, 10:18 PM

http://www.bbc.co.uk/news/technology-21429437

Well rest assured you need never be concerned too much by any of the above thanks to the innovative use of sensors employed by the composer, and now film-maker, Alexis Kirke.

Interview with Eddie Hamilton

February 12, 2013, 07:51 AM

http://screen-watch.com/2013/02/10/interview-with-...

Eddie Hamilton is a film and television editor. He worked on X-Men: First Class and Kick-Ass and is currently editing Kick-Ass 2. He kindly sat down with Thomas Winward (screen-watch.com) to chat about his career.

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