It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 20, 2013, 11:16 AM
http://uniquedesigners.wordpress.com/2013/05/20/au...
These are some quick tips for more precise audio work in Premiere Pro ... Setting up your workspace and switching your sequence to Audiounits so you can line up audio clips better in your sequence.
May 16, 2013, 09:00 AM
https://www.aotg.com/dan-lebental-touchedit-and-the-cutting-room/
Dan Lebental is renowned for his work on Iron Man 1 and 2, Cowboys and Aliens and of course Elf. Now he brings the editing room to the iPad with TouchEdit, a professional editing app that has become an important part of his editing experience.
May 1, 2013, 12:32 PM
https://www.aotg.com/the-project-that-wasnt-at-nab-2013/
Were you at NAB? Well, here's something you didn't get to see there. Josh Weiss from Retooled.net joins me to talk about their first product. ReLink ReTooled. If you have had trouble with conforming projects this is your product. You can follow Retooled on Twitter (@retoolednet) or on Facebook (facebook.com/retooled.net).
April 22, 2013, 05:58 PM
http://www.fallenempiredigital.com/blog/2013/04/22...
AOTG got a hold of Al Mooney durning NAB to discuss how Adobe designed and integrated Premiere Pro’s new features, the usefulness of Adobe Story and the use of a script as metadata, and the future of interactivity with Adobe Premiere and Adobe Edge.
April 22, 2013, 12:10 PM
https://www.aotg.com/al-mooney-adobe-and-editings-possible-future/
Last week I met with Al Mooney and we discussed Premiere Pro, however, we also diverged into the area of Adobe Edge and the future possibilities of editing. Definitely, something you don’t want to miss.
April 22, 2013, 09:41 AM
https://www.aotg.com/leigh-herman-sony-and-nab-2013/
When I was at NAB I met with Leigh F. Herman who is Director of Business Development in the Sony Creative Software division. We discussed Sony Vegas Pro 12 and Sync Link, unfortunately we were limited by time so we didn’t get to go into Spectral Layers Pro and Sound Forge Pro but, I’ve used Spectral Layers Pro before and loved it.
April 2, 2013, 07:03 PM
http://tomparish.com/interview-with-technicolor-ab...
In this interview, I’m talking with Markus Loeffler, the developer of Technicolor Color Assist, and Asif Ahmed, Technicolor product specialist and filmmaker who is also an experienced film director. March 22, 2013.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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