It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 6, 2017, 02:33 PM
http://saeditores.org/Novedades/Curso-Color-Manage...
La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción a la primera edición del curso Color Management, dictado por Santiago Svirsky y Sebastián Toro -socios adherentes de nuestra asociación- y auspiciado por la ADF (Autores de Fotografía Cinematográfica Argentina). El curso se desarrollará en una única jornada, el sábado 2 de diciembre, de 15 a 20 horas, en Avenida Caseros 574 1º A, Ciudad de Buenos Aires...
November 2, 2017, 06:58 AM
https://www.videomaker.com/videonews/2017/11/final...
This week, Apple kicked off the third-annual Final Cut Pro X Creative Summit in Cupertino, CA, with the announcement of the Final Cut Pro X version 10.4 and a number of demos that showed off what professional video editors have to look forward to with the new updates.
October 8, 2017, 06:58 AM
http://noamkroll.com/why-color-contrast-is-essenti...
Having color graded countless films over the years in collaboration with other filmmakers, I’ve encountered my share of creative and technical challenges along the way. Of all of them, by far the biggest hurdle to overcome was attempting to re-build color contrast in a scene that simply didn’t have any to begin with.
October 4, 2017, 04:27 AM
http://www.cgmeetup.net/home/spectral-colors-in-ho...
Watch shader writer, Mario Marengo, explain spectral wavelength and how to utilize it within Houdini. This presentation was recorded at a Toronto Technical Evening hosted by Side Effects Software.
September 27, 2017, 04:41 AM
http://boscpug.org/davinci-resolve-studio-manages-...
DaVinci Resolve Studio has been used throughout production and post production on 20th Century Fox’s “Kingsman: The Golden Circle,” including SDR and HDR delivery.
September 14, 2017, 09:46 AM
https://www.videoguys.com/blog/adobe-speedgrade-cc...
Adobe has said goodbye to Adobe SpeedGrade CC and will now have their full attention on their Lumetri Color Panel. Bryant Frazer reports on the latest from Adobe below. Adobe SpeedGrade CC reached end-of-life this week, as Adobe ceased all development on the powerful standalone color-grading application. The move doesn’t actually come as a surprise. Read More The post Adobe SpeedGrade CC Is Dead; Long Live Lumetri Color – Studio Daily appeared first on Videoguys Blog.
September 7, 2017, 05:53 AM
https://www.sgo.es/sgo-to-demonstrate-new-multi-di...
Collaborative solutions include Mistika Ultima with Mistika Co-Pilot, Mistika VR with new Stereo 3D toolset, Mistika Insight and Mistika FX
September 6, 2017, 05:53 PM
http://noamkroll.com/color-grading-rant-why-protec...
As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic look.
August 25, 2017, 09:57 AM
https://www.premiumbeat.com/blog/why-color-grade-m...
The moon is quite clearly one color, yet filmmakers consistently color its light differently. Find out why, and decide if you should, too.
August 22, 2017, 05:19 AM
https://icolorist.com/2017/08/21/fxphd-resolve-tra...
My first classes were released in 2007 and it was one of the first ever FXPHD offerings, 30 minute tutorial films released every week over a 10 week term. We decided to run the class on a daVinci 2k color corrector. FXPHD didn’t own one so we had to beg, borrow and steal from the Post Houses in Sydney. The grading rooms were over $1000 an hour back then so we had to be in and out very quickly, sometimes only shooting 3 lessons during their downtime.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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