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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Curso *Color Management*, por Santiago Svirsky y S

November 6, 2017, 02:33 PM

http://saeditores.org/Novedades/Curso-Color-Manage...

La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción a la primera edición del curso Color Management, dictado por Santiago Svirsky y Sebastián Toro -socios adherentes de nuestra asociación- y auspiciado por la ADF (Autores de Fotografía Cinematográfica Argentina). El curso se desarrollará en una única jornada, el sábado 2 de diciembre, de 15 a 20 horas, en Avenida Caseros 574 1º A, Ciudad de Buenos Aires...

FCPX 10.4 Gets Enhanced Color and VR Support

November 2, 2017, 06:58 AM

https://www.videomaker.com/videonews/2017/11/final...

This week, Apple kicked off the third-annual Final Cut Pro X Creative Summit in Cupertino, CA, with the announcement of the Final Cut Pro X version 10.4 and a number of demos that showed off what professional video editors have to look forward to with the new updates.

Why Color Contrast Is Essential For The Cinematic

October 8, 2017, 06:58 AM

http://noamkroll.com/why-color-contrast-is-essenti...

Having color graded countless films over the years in collaboration with other filmmakers, I’ve encountered my share of creative and technical challenges along the way. Of all of them, by far the biggest hurdle to overcome was attempting to re-build color contrast in a scene that simply didn’t have any to begin with.

Spectral Colors in Houdini

October 4, 2017, 04:27 AM

http://www.cgmeetup.net/home/spectral-colors-in-ho...

Watch shader writer, Mario Marengo, explain spectral wavelength and how to utilize it within Houdini. This presentation was recorded at a Toronto Technical Evening hosted by Side Effects Software.

DaVinci Resolve Studio Manages Color Pipeline on K

September 27, 2017, 04:41 AM

http://boscpug.org/davinci-resolve-studio-manages-...

DaVinci Resolve Studio has been used throughout production and post production on 20th Century Fox’s “Kingsman: The Golden Circle,” including SDR and HDR delivery.

Adobe SpeedGrade CC Is Dead; Long Live Lumetri Col

September 14, 2017, 09:46 AM

https://www.videoguys.com/blog/adobe-speedgrade-cc...

Adobe has said goodbye to Adobe SpeedGrade CC and will now have their full attention on their Lumetri Color Panel. Bryant Frazer reports on the latest from Adobe below. Adobe SpeedGrade CC reached end-of-life this week, as Adobe ceased all development on the powerful standalone color-grading application. The move doesn’t actually come as a surprise. Read More The post Adobe SpeedGrade CC Is Dead; Long Live Lumetri Color – Studio Daily appeared first on Videoguys Blog.

SGO to demonstrate new multi-dimensional workflow

September 7, 2017, 05:53 AM

https://www.sgo.es/sgo-to-demonstrate-new-multi-di...

Collaborative solutions include Mistika Ultima with Mistika Co-Pilot, Mistika VR with new Stereo 3D toolset, Mistika Insight and Mistika FX

Why Protecting Your Dynamic Range Is Killing Your

September 6, 2017, 05:53 PM

http://noamkroll.com/color-grading-rant-why-protec...

As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic look.

Why Do Filmmakers Color Grade Moonlight to Be Blue

August 25, 2017, 09:57 AM

https://www.premiumbeat.com/blog/why-color-grade-m...

The moon is quite clearly one color, yet filmmakers consistently color its light differently. Find out why, and decide if you should, too.

FXPHD Resolve Training History

August 22, 2017, 05:19 AM

https://icolorist.com/2017/08/21/fxphd-resolve-tra...

My first classes were released in 2007 and it was one of the first ever FXPHD offerings, 30 minute tutorial films released every week over a 10 week term. We decided to run the class on a daVinci 2k color corrector. FXPHD didn’t own one so we had to beg, borrow and steal from the Post Houses in Sydney. The grading rooms were over $1000 an hour back then so we had to be in and out very quickly, sometimes only shooting 3 lessons during their downtime.

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