It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 14, 2012, 05:40 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/7lkZ...
Editmote from Digital Rebellion is an iOS application that let’s you control your editing software with your iDevice. Control a wide range of applications including Adobe Creative Suite, Final Cut Pro 7, Final Cut Pro X, Avid Media Composer and Symphony, DaVinci Resolve, QuickTime Player and many more. When I first reviewed Editmote, I thought...
December 14, 2012, 01:27 PM
http://www.screenlight.tv/blog/2012/12/11/freelanc...
There is nothing that changes how you approach editing like being asked to work on a really long project that requires great attention to detail.
#editing#multi camDecember 14, 2012, 01:26 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/cgR7...
For the tenth day of the 12 Days of Giveaways, EditingWhiz is offering a copy of Noise Industries’ Photo Montage plugin. Here’s some information I wrote about the plugin in my review: Photo montages can be used for everything from wedding to corporate to behind the scenes. While it is easy to create a simple...
December 14, 2012, 01:26 PM
http://www.fcp.co/final-cut-pro/news/999-digital-h...
It will be a relief to a lot of editors as there is now a tool designed especially for subtitling in FCPX. Digital Heaven have released an X version of their popular subtitling plugin. There is a time limited 30% discount on offer too.
#fcpx#final cut pro#digital heaven#subtitlex#motion5December 14, 2012, 01:22 PM
http://www.digitalrebellion.com/blog/posts/adobe_d...
Dynamic Link is a key selling point of the Adobe suite that many people rely on for their workflows. Here's what to do if it doesn't work as expected. This article is mainly aimed to dynamic linking between After Effects and Premiere but many of the suggestions will apply to the other applications in the suite.
#adobe#after effects#aeDecember 14, 2012, 01:11 PM
http://www.creativeplanetnetwork.com/drobo-launche...
Drobo, maker of award-winning data storage products for businesses and professionals, has announced the Drobo 5N, the latest in their new lineup of ultra-modern, high-performance storage systems. The Drobo 5N, a sophisticated, network-attached storage (NAS) device, extends Drobo's traditional ease-of-use with increased performance and data protection enhancements for personal and professional users who want a fast, easy, and ultra-reliable file sharing and backup experience over the network.
#drobo#5d#network#5nDecember 14, 2012, 07:49 AM
http://blogs.adobe.com/VideoRoad/2012/12/4k-preset...
Currently, the Media Encoder (and, by association, Premiere Pro) doesn’t ship with presets for 4k H.264 output, simply because it’s not a common enough format. But it’s reasonably simple to make your own. I won’t go into all the details of H.264 encoding here, but the key thing to know is that the encoder settings include something called Profile and Level.
#adobe#nle#4k#media encoderDecember 13, 2012, 11:11 PM
http://www.premiumbeat.com/blog/jkl-timeline-trimm...
Discover how the J/K/L shortcut keys are not only useful for controlling playback, but also trimming, in your Premiere Pro video editing projects. A great way to speed up your video editing work!
December 13, 2012, 11:11 PM
http://www.aja.com/en/articles/user_stories/80/
In the heart of London's Shoreditch is the award winning post-production house - Splice. Specializing in broadcast, commercial and corporate post production, the boutique studio is home to forty full-time employees and a grand display of state-of-the art technology spanning three floors including: two Baselight grading theatres, Avid DS suites and multi channel audio recording and mixing rooms. Splice is credited for its work on such venerable UK television shows as "Jamie Oliver's 15 Minute Mea
December 13, 2012, 11:06 PM
http://provideocoalition.com/mchristiansen/story/i...
An article published last month on the Adobe Press site has sparked much discussion and a little controversy, so I think it's worth following up, starting with a clarification.
#adobe#after effects#aeDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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