It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 13, 2020, 12:29 PM
https://www.provideocoalition.com/after-effects-cl...
A classic visual effects job is to place a place one planar object (such as a new sign, a video screen, etc.) onto another planar object (such as a wall, a laptop, a cell phone, etc.) while either the camera, the target object, or both are moving. This requires some form of tracking. In the [...]Read More...
October 10, 2020, 02:12 PM
https://www.creativeimpatience.com/joining-forces-...
Some time has passed since I told you that I’m back in the game. And in the meantime this happened: Cinema Grade for Windows. As you can see, I am again directly involved in reducing your pains in using color grading tools during editing. Take a look at that Kickstarter … see more →
October 10, 2020, 02:12 PM
https://www.fcp.co/final-cut-pro/tutorials/2316-fi...
Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos.
October 10, 2020, 02:11 PM
https://digitalfilms.wordpress.com/2020/10/09/colo...
Remote workflows didn’t start with COVID, but that certainly drove the need home for many. While editing collaboration at a distance can be a challenge, it’s a far simpler prospect than remote color grading. That’s often a very interactive process that happens on premises between a colorist and a client, director, or cinematographer. Established high-end […]
September 8, 2020, 01:37 PM
http://www.avidblogs.com/decoding-the-academy-colo...
The post Decoding the Academy Color Encoding System (ACES)—What Editors Need to Know appeared first on Avid Blogs.
July 14, 2020, 04:57 PM
https://postperspective.com/behind-the-title-goldc...
“Clients need to have the confidence that no matter what problems arise you have the skills, to provide intelligent solutions and deliver the project to their liking,” says colorist Rob Pizzey. What Company do you work for? Goldcrest Post Production London Can you describe Goldcrest and the services it provides? Continue reading → July 13, 2020 The post Behind the Title: Goldcrest London colorist Rob Pizzey appeared first on postPerspective.
July 2, 2020, 01:02 PM
https://www.sgo.es/dvo4mistika-2/
SGO and Digital Vision World have launched DVO Tools for Mistika - a seamless integration of the world-class image processing tools for both of SGO’s full-finishing solutions - Mistika Ultima and Mistika Boutique. It can also be used in conjunction with Mistika Workflows for batch processing of media files. Mistika users are now able to [...]
June 23, 2020, 01:31 PM
https://www.productionhub.com/blog/post/5-remote-t...
Color is one part of the creative process that has distinct advantages to being completed in person. Typically, you’re working with the original footage, which can be quite large and hard to transfer over the internet. If you’re the client, it’s best to see exactly what the colorist is seeing. If you’re the colorist, you definitely want your client approving the color on your color calibrated monitor.
June 22, 2020, 01:29 PM
https://www.premiumbeat.com/blog/free-premiere-pro...
Go Hollywood with over a dozen FREE Premiere Pro Lumetri looks! These free movie-inspired color grading presets will instantly add a dramatic look to your project.
June 19, 2020, 12:50 PM
https://www.premiumbeat.com/blog/store-and-share-g...
Today, we’re going to take a look at the three ways to store and load looks in DaVinci Resolve, along with the advantages and disadvantages of each.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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