It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 13, 2014, 02:39 PM
http://www.hitfix.com/comedy/20-mind-blowing-3d-ci...
The popularity of 3D film comes in waves. Every few years, someone decides to take up the mantle once more and subject audiences to silver screen dioramas. But there's always a draw back — blue and red glasses that make you look like a dork, or trying to wear glasses on top of glasses, or the percent of the population who just can't make their eyes see 3D because genetics.
February 13, 2014, 02:37 PM
http://postperspective.com/nathan-love-creates-ani...
New York — Design and animation studio Nathan Love, working with agency Leo Burnett, created a darkly humorous new campaign for Kellogg’s Krave cereal, promoting its new s’mores offering. The spot is the latest in their work with Kellogg’s, coming after a CGI redesign of Froot Loops’ mascot Toucan Sam and a series of CGI packaged goods projects for other brands […]The post Nathan Love creates animated campaign for Krave via Leo Burnett appeared first on postPerspective - Ra...
February 13, 2014, 05:57 AM
http://www.bestanimationbooks.com/animation/storyb...
One of the downfalls of most young storyboard artists is a weak use of staging. Staging refers to the arrangement of characters or objects within your scene and the corresponding character and camera movements.
February 12, 2014, 11:09 AM
http://www.creativebloq.com/3d-tips/cgi-movie-mome...
We celebrate the work of the digital painters, sculptors, concept artists, and others working in the effects industry, as we pick our favourite CGI movie moments in live action movies.
February 11, 2014, 11:22 AM
http://cgi.tutsplus.com/tutorials/welcome-to-after...
This 10-part series has been designed to help anyone starting out in the world of After Effects. In this episode, we'll take a look the rendering features and how to add your project to the "Render Queue". We will explore the Render Queue settings and learn how to change them. Finally, we'll cover video codecs, why they exist and then take a look at some of the more common output versions. Enjoy...
February 11, 2014, 11:21 AM
http://www.hollywoodreporter.com/news/jeffrey-katz...
“As the leader of one of the most successful and trendsetting entertainment companies and licensors in the world, Jeffrey Katzenberg will provide attendees with his valuable insights into the future of the media and entertainment industries and the licensing business that is sure to resonate with all those in attendance, during the upcoming show and beyond,” said Charles Riotto, president of the International Licensing Industry Merchandisers Association, which is sponsoring the annual event.
February 10, 2014, 02:05 PM
http://www.fxguide.com/fxguidetv/fxguidetv-186-the...
fxguide visits Animal Logic’s studios in Sydney to find out how they created the CG bricks and animation for The LEGO Movie.
February 10, 2014, 05:38 AM
http://animationguildblog.blogspot.ca/2014/02/agai...
After actual investing for retirement (putting money away for your autumnal years) the next most important thing is this...
February 8, 2014, 02:53 PM
http://animationguildblog.blogspot.ca/2014/02/this...
The Animation Guild's President Emeritus Tom Sito has been good enough to dig through his massive archive of significant February dates in animation (and entertainment generally), and present them to members. We give you a preview here:
February 7, 2014, 10:23 AM
http://www.thecredits.org/2014/02/how-the-lego-mov...
When the trailer for The Lego Movie came out, the Internet was abuzz. The Lego characters had that signature stop-motion feel to them, moving in a slightly stilted manner. Was the movie filmed in stop-motion or CG animation?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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