It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 2, 2021, 08:46 AM
https://www.provideocoalition.com/i-still-cant-rem...
After all these years of using Adobe Premiere Pro I still can’t remember what exact color Cerulean is when I go to change a label on some Premiere Pro clips in a bin. And to be quite honest I sometimes might color something Violet or Caribbean and think to myself… ‘that wasn’t the color I wanted.’ And I have been using Premiere [...]Read More...
September 2, 2021, 08:45 AM
https://www.rocketstock.com/blog/best-3d-models-as...
There are a lot of 3D marketplaces out there, but they aren’t all created equally. With the always rapidly evolving technology, 3D artists constantly need higher poly count objects and high-resolution assets. You also want to find 3D assets that are optimized for best performance in either massive LED volumes or on mobile devices. For video games, VFX, motion design, 3D art, NFTs, AR/VR, you just want the tools to make things look good as fast as you can.
September 2, 2021, 08:45 AM
https://www.artofvfx.com/free-guy-scott-edelstein-...
Back in 2019, Scott Edelstein explained Digital Domain‘s work on Avengers: Endgame. Today he returns to tell us about Free Guy.
September 1, 2021, 09:32 AM
https://newbluefx.com/blog/behind-the-scenes-at-ne...
The NewBlue team operated remotely for an entire year. In honor of reopening the office, we decided to transform an unused office space. This space is now our very own live production studio. Setting up an in-house studio doesn’t take a lot of time or effort. We are thrilled our new studio will allow us to shoot live video The post Behind-the-scenes at NewBlue’s new live production studio. appeared first on NewBlue.
September 1, 2021, 09:31 AM
https://www.provideocoalition.com/2021-video-works...
Buying or upgrading your editing workstation in 2021? We help you navigate the software/hardware landscape with this comprehensive guide. The world of computer technology changes so rapidly that last year’s purchasing advice could be just plain wrong when buying a machine today. So we’re here with an updated guide to Mac & PC hardware and [...]Read More...
September 1, 2021, 09:31 AM
https://postperspective.com/maxons-redshift-render...
Maxon, which creates Cinema 4D and other software solutions for motion designers and visual effects artists, has made its Redshift GPU rendering tool available as a subscription product. Designers using Redshift with Maxon’s Cinema 4D, Autodesk Maya, Autodesk 3ds Max, SideFX Houdini, Foundry Katana and Blender can get started with Redshift or add additional render power for half the price. Continue reading → August 31, 2021 The post Maxon’s Redshift Renderer Now Available as Subscription ...
September 1, 2021, 09:31 AM
https://creativevideotips.com/tutorials/must-know-...
Learn how to set up a preset that includes all your typical project settings for DaVinci Resolve 17, so that you can start a new project with every setting fixed to just how you like to edit! Timeline Resolution, frame rate for both the timeline and playback, video monitoring, proxy file generation, color management, and scratch location for those scratch voiceovers are all part of this quick tutorial on creating Project Setting Presets in Resolve! "save as user default config" will change your ...
September 1, 2021, 09:27 AM
https://www.provideocoalition.com/how-to-extract-a...
Recently, I helped a client learn how to extract audio from his video master for use in an audio podcast of the same show. (Previously, he had been doing it wrong, and it had been suffering.) The first thing that I did was to define all of the obligatory and optional goals involved in this [...]Read More...
September 1, 2021, 09:27 AM
https://postperspective.com/demonic-director-neill...
By Iain Blair South African director Neill Blomkamp has always pushed the VFX envelope. After beginning his career as a visual effects artist in film and television, he charged onto the international scene with his 2009 directorial debut District 9, a sci-fi thriller with a thinly disguised social commentary about apartheid. Continue reading → August 31, 2021 The post Demonic Director Neill Blomkamp Talks Volumetric Capture and VFX appeared first on postPerspective.
September 1, 2021, 09:26 AM
https://www.redsharknews.com/production/item/6524-...
Replay: Rubber Numbering, those words will either evoke a twinge, possibly a tear, of nostalgia or a baffled shrug. It might sound like a relic from Britain’s colonial days, but it was neither made of rubber nor meant to enumerate it. It was, however, once an essential part of film post production.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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