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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Roundup August 2021

September 1, 2021, 09:26 AM

https://www.provideocoalition.com/after-effects-ro...

Emery Wells announced that Frame.io Is Joining Forces with Adobe — “this $1.275B deal will allow us to continue our mission of transforming and creating the future of collaborative video workflows.” He continued: “Our joint mission with Adobe will be to continue building Frame.io with expanded resources, while continuing to support a broad ecosystem of [...]Read More...

The battle for realism: The evolution of realtime 3D graphics

September 1, 2021, 09:26 AM

https://www.redsharknews.com/the-battle-for-realis...

It’d be easy to get the impression that realtime 3D is really coming of age. For a long time, all computer graphics looked like – well – Tron, at best, and often not nearly as slick.

Prevent Hard Audio Cuts with Natural Reverb

August 31, 2021, 08:56 AM

https://www.premiumbeat.com/blog/add-natural-rever...

Learn how to add natural reverb to the end of a music cut using Adobe Premiere Pro and Audition in this easy-to-follow video tutorial.

Editing Mare of Easttown: Emmy-Nominated Amy Duddleston

August 31, 2021, 08:56 AM

https://postperspective.com/editing-mare-of-eastto...

HBO’s limited series Mare of Easttown, starring Kate Winslet as a Pennsylvania detective whose professional and personal life become intertwined, was nominated for 16 Emmy Awards. It was compelling television that kept people coming back week after week, trying to figure out who did the murdering. Mare of Easttown was executive produced by Craig Zobel, Continue reading → August 27, 2021 The post Editing Mare of Easttown: Emmy-Nominated Amy Duddleston appeared first on postPerspective.

The world's worst video recording format

August 31, 2021, 08:56 AM

https://www.redsharknews.com/production/item/4382-...

Replay: The video at the end of this article proves that some things can be both clever and horrible at the same time.

The Boys: Inside the Emmy-nominated soundtrack

August 31, 2021, 08:56 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

Amazon Original’s The Boys is about a group of vigilantes who set out to take down corrupt superheroes that abuse their powers. The series is nominated for five Emmys, including outstanding “Drama Series”, “Writing For A Drama Series”, “Special Visual Effects In A Season Or A Movie”, “Sound Mixing For A Comedy Or Drama Series” and “Original Music And Lyrics”.

Why No Time to Die and others are still using film in a digital world

August 31, 2021, 08:56 AM

https://www.redsharknews.com/why-no-time-to-die-an...

On September 30th, after many delays, No Time to Die will hit UK cinemas. The 25th James Bond movie was shot on celluloid, making it part of a small group of productions that choose to keep using the traditional medium despite digital becoming the dominant acquisition format in 2013.

One Year After Giving up Premiere Pro for DaVinci Resolve

August 31, 2021, 08:55 AM

https://www.premiumbeat.com/blog/one-year-after-gi...

Here's everything I've learned about switching to a new NLE---the good, the bad, the unexpected, and the humbling.

Industry professionals want to phase out fractional frame rates

August 31, 2021, 08:53 AM

https://www.provideocoalition.com/industry-profess...

A group of filmmakers wants the industry to agree to make new content in one standard frame rate, to save many hours of manpower, storage space, and capital, and modernize frame rates. A group of industry professionals led by JayDee Vandenberg, Director of Post Production at Walt Disney Animation Studios, is calling for the electronic [...]Read More...

The origins of colour grading

August 31, 2021, 08:51 AM

https://www.redsharknews.com/the-origins-of-gradin...

Reply: Since most of us are isolated at home at the moment (at the time of original publication during the time of the Zombie Apocalypse) you might be considering some serious grading or re-grading of stuff from the deepest recesses of your hard drives. You might even be embarking on an online grading course. In the light of this, I thought it might be worth looking a little at the history of grading. Today, we take for granted the seemingly endless ways we can manipulate an image in post prod...

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