It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 23, 2021, 09:19 AM
https://www.studiobinder.com/?p=64695
August 23, 2021, 09:19 AM
https://www.redsharknews.com/production/item/6212-...
Replay: The biggest limitation of colour accuracy is the human brain. Phil Rhodes takes a look at why colour accuracy sometimes isn't all it's cracked up to be.
August 23, 2021, 09:18 AM
https://www.premiumbeat.com/blog/10-free-after-eff...
Create sexy, slick, stylish titles and lower thirds with these free After Effects typography templates.
August 22, 2021, 12:30 PM
https://www.redsharknews.com/terminator-2-changed-...
Replay: This year, Terminator 2: Judgment Day turns 30. Made by a director and star at the peaks of their powers, T2 was the most expensive film ever at the time, and remains both the highest-grossing movie of Arnold Schwarzenegger’s career and the sequel which furthest out-performed its progenitor. It is also one of a handful of films that changed the world of visual effects forever, signalling as it did – to borrow the subtitle from its woeful follow-up – the rise of the machines.
August 21, 2021, 10:39 AM
https://www.redsharknews.com/bruce-willis-stars-as...
The Hollywood star has taken his relaxed acting style to a new level by loaning his likeness to a new Russian phone advert.
August 21, 2021, 10:38 AM
https://lesterbanks.com/2021/08/new-cgelementary-t...
CGElementary teases a new tool to help bake light and reflections for real-time viewports in Maya. Viewport 2 was a great start to a modern and real-time viewport in Maya that never really seemed to
August 20, 2021, 07:53 AM
https://lappg.com/2021/08/19/thursday-september-9-...
EditMentor Presents: The Motivated Cut Cutting may appear to be the most basic task an editor has to do, but deciding precisely where to place the cut is a specialized skill. All filmmakers focus on intentional and invisible cuts to ensure continuity. In this session, you’ll review some of the Rules of Continuity using EditMentor, … Thursday, September 9, 2021 at 5pm PDT Via Zoom Read More »
August 20, 2021, 07:52 AM
https://www.provideocoalition.com/adobe-to-acquire...
A surprising bit of news came across the internet today as Adobe announced it has “entered into an agreement to acquire Frame.io”. I say it’s surprising in that one of Frame.io’s biggest assets has always been that it’s very platform agnostic in providing support for all the major NLEs. They have deep integration into DaVinci [...]Read More...
August 20, 2021, 07:52 AM
https://blog.motionisland.com/how-to-work-with-the...
Shape layers by themselves look a bit boring how ever when you start using the After Effects repeater it is like opening a Pandora door it allows you to create a much more dynamic and engaging shape animation, it is an After Effects feature that every motion designer should know about. I have created [...] The post How to work with the After Effects Repeater appeared first on MotionIsland Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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