It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 15, 2020, 01:05 PM
https://postperspective.com/collaborating-on-color...
In HBO’s emotionally devastating limited series I Know This Much is True, Mark Ruffalo portrays identical twin brothers Dominick and Thomas Birdsey — a pair of men who might look alike and share the same difficult childhood experiences but who are actually quite different. Thomas has schizophrenia that has caused him to frequently act out in frightening and erratic ways, Continue reading → June 12, 2020 The post Collaborating on color for HBO’s I Know This Much is True appeared fir...
June 2, 2020, 01:15 PM
https://postperspective.com/senior-colorist-paul-e...
Paul Ensby, a third-generation Technicolor employee, will be returning to the studio’s London facility this month. Following in his grandfather and father’s footsteps, he worked in Technicolor’s London film laboratory in the early ‘90s. Ensby then landed a role as a 35mm trainee feature grader before becoming a full-fledged color grader, working with directors such as Ridley Scott, Continue reading → June 1, 2020 The post Senior colorist Paul Ensby rejoins Technicolor in London...
May 23, 2020, 03:21 PM
https://www.provideocoalition.com/grade-it-yoursel...
Editors often shy away from final color correction. However, the budget on many projects doesn’t include room for a dedicated colorist. Maybe it’s time you learned the right way to perform a grading session, instead of just playing with sliders and color wheels. Moviola.com’s color correction course will get you up to speed in just [...]Read More...
May 19, 2020, 12:32 PM
https://postperspective.com/grade-for-disney-film-...
Before principal photography began on the Disney+ period drama Togo, the film’s director and cinematographer, Ericson Core, asked Company 3 senior colorist Siggy Ferstl to help design a visual approach for the color grade that would give the 1920s-era drama a unique look. Based on a true story, Togo is named for the lead sled dog on Leonhard Seppala’s (Willem Dafoe) team and tells the story of their life-and-death relay through Alaska’s tundra to deliver diphtheria antitoxin to the des...
May 17, 2020, 02:16 PM
https://digitalfilms.wordpress.com/2020/05/16/colo...
Color grading roundtrips are messy and prone to errors. Most editors want high-quality solutions that keep them within their favorite editing application. Color Trix launched the revamped Color Finale 2 this past December with the goal of building Final Cut Pro X into a competitive, professional grading environment. In keeping to that goal, Color […]
April 25, 2020, 03:30 PM
https://www.provideocoalition.com/litrastudio-a-wi...
With a small footprint, the new LitraStudio delivers 3,000 Lumens of color accurate RGBWW output—totally cable-free and also features Bluetooth or DMX control, color tuning, gel, effects and more. Litra brings a fresh take on compact, rectangular LED lights to the market with the LitraStudio, which expands a family comprised of compact, rugged, and waterproof [...]Read More...
April 23, 2020, 01:35 PM
https://postperspective.com/colorist-chat-i-am-not...
Colorist Toby Tomkins, co-founder of London color grading and finishing boutique Cheat, collaborated once again with The End of the F***ing World director Jonathan Entwistle on another Charles Forsman novel — I Am Not Okay With This. The now-streaming Netflix show is produced by Entwistle alongside Stranger Things EPs Shawn Levy and Dan Cohen, Continue reading → April 22, 2020 The post Colorist Chat: I Am Not Okay With This’ Toby Tomkins appeared first on postPerspective.
April 21, 2020, 12:56 PM
https://lappg.com/color-correction-with-davinci-re...
Dive into color correction with this hands-on training using the BMD official curriculum which takes you through a series of practical exercises. Below are the dates, registration link, class agenda, and important information for how you should prepare for the upcoming class. Days/Times: Apr 21, 2020 10:00 AM Apr 22, 2020 10:00 AM Apr 23, […] The post Color Correction with DaVinci Resolve 16 Class – April 21 appeared first on lappg.
April 15, 2020, 01:08 PM
https://postperspective.com/colorist-vicki-matich-...
UK-based post company Molinare has beefed up its grading team with the addition of colorist Vicki Matich. Over the path of her career Matich has worked with such directors as Danny Boyle, Paul W.S. Anderson and Sir David Attenborough. Her resume includes grading the Emmy award-winning documentary Leaving Neverland: Michael Jackson as well as Jade: The Reality Star Who Changed Britain, Continue reading → April 14, 2020 The post Colorist Vicki Matich joins UK’s Molinare appeared first o...
March 25, 2020, 01:20 PM
https://postperspective.com/colorist-chat-framesto...
Veteran colorist Beau Leon recently worked with director Spike Jonze on a Beastie Boys documentary and a spot for cannabis retailer MedMen. What’s your title and company? I’m senior colorist at LA’s Framestore What kind of services does Framestore offer? Framestore is a multi-Oscar-winning creative studio founded over 30 years ago, Continue reading → March 23, 2020 The post Colorist Chat: Framestore LA senior colorist Beau Leon appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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