To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Types of Editing Transitions in Film — The Ultimate Guide
November 29, 2021, 08:32 AM
https://www.studiobinder.com/?p=101173
Video transitions are used in just about every film and video – and they play an enormous role in the subliminal or liminal effects of moving from shot to shot. As such, knowing when and how to use specific types of editing transitions in film – like wipes, fades and pans – can make your project better than ever before. We’re going to break down a variety of different types of editing transitions in film with examples from cinema history. Continue reading Types of Editing Transitions in ...
Act of Killing Editor Niels Pagh Andersen Finds
November 29, 2021, 08:31 AM
https://variety.com/2021/film/global/niels-pagh-an...
Over the course of a celebrated 40-year career, veteran Danish editor Niels Pagh Andersen has worked on critically acclaimed films including Pirjo Honkasalo’s “The 3 Rooms of Melancholia” and Joshua Oppenheimer’s Oscar-nominated “The Act of Killing” and “The Look of Silence.”
Editors Across Canada
November 25, 2021, 08:53 AM
https://cceditors.ca/2021/11/02/editors-across-can...
Behind the Title: Bandit Editor Zeke O’Donnell
November 19, 2021, 08:45 AM
https://postperspective.com/behind-the-title-bandi...
Zeke O’Donnell is an editor and director at Bandit, a NYC-based creative editorial and post production company with a focus on storytelling. “We partner with advertising agencies, directors, studios and brands to make impactful work across all platforms and genres,” he says. Let’s find out more from Bandit‘s O’Donnell, Continue reading → November 17, 2021 The post Behind the Title: Bandit Editor Zeke O’Donnell appeared first on postPerspective.
Behind the Title: Bandit Editor Zeke O’Donnell
November 18, 2021, 09:09 AM
https://postperspective.com/editor-zeke-odonnell-f...
Zeke O’Donnell is an editor and director at Bandit, a NYC-based creative editorial and post production company with a storytelling craft focus. “We partner with advertising agencies, directors, studios and brands to make impactful work across all platforms and genres,” he says. Let’s find out more from Bandit‘s O’Donnell, Continue reading → November 17, 2021 The post Behind the Title: Bandit Editor Zeke O’Donnell appeared first on postPerspective.
Digital Storage in Remote Workflows
November 16, 2021, 08:07 AM
https://postperspective.com/digital-storage-in-rem...
By Tom Coughlin Digital storage is a key element in producing film, episodics, commercials and more. Digital storage requirements for video workflows are increasing because of increasing resolution, higher frame rates, higher dynamic range as well as multi-camera projects, including 360-degree video. With the COVID pandemic, large and small video projects had to either pivot to working remotely or postpone those projects. Continue reading → November 15, 2021 The post Digital Storage in Remote ...
Episode 055: Ghostbusters: Afterlife with Dana Glauberman, ACE & Nathan Orloff
November 16, 2021, 08:07 AM
https://cceditors.ca/2021/11/15/episode-055-ghostb...
The post Episode 055: Ghostbusters: Afterlife with Dana Glauberman, ACE & Nathan Orloff appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.
THE 2021 INTERNATIONAL FILM EDITORS FORUM (IFEF)
November 15, 2021, 08:28 AM
https://www.screeneditors.com.au/10681-2/
by Simon Callow-Wright In the early hours of Thursday October 14th I had the pleasure of attending via Zoom the 4th International Film Editors Forum (IFEF). It runs every year as part of the Edimotion Film Festival; Europe’s oldest film festival, which focuses exclusively on the art of editing. I was joined by fellow ASE […]
Behind the Title: Cutters Comedy Editor John Dingfield
November 12, 2021, 08:43 AM
https://postperspective.com/behind-the-title-cutte...
John Dingfield is an editor at Cutters Studios, an international collection of post studios that also offers production via with Dictionary Films; finish, color, animation and design courtesy of Flavor; and sound design and mixing provided by Another Country. Since launching his career with Cutters back in 2000, Continue reading → November 11, 2021 The post Behind the Title: Cutters Comedy Editor John Dingfield appeared first on postPerspective.
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