It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 12, 2014, 10:40 AM
http://www.toolfarm.com/blog/entry/ofx?utm_source=...
I was talking to someone at NAB who I would consider to be “in the know” for visual effects and was surprised that he had never heard of OpenFX. More and more developers are developing with OpenFX, or OFX, a standardized software interface supported by numerous hosts such as Nuke, DaVinci Resolve and Sony Vegas. Here’s a few things to know so you’re not caught off guard!
November 12, 2014, 05:43 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“It takes a lot to make a stew, when it comes to me and you.” How many cooks is ...
November 10, 2014, 10:40 AM
http://bosfcpug.org/blackmagic-design-ships-new-fr...
Blackmagic Design today announced that Fusion 7, the world’s most advanced visual effects and motion graphics software, is now available completely free of charge.
November 10, 2014, 10:38 AM
http://postperspective.com/purchase-eyeon-bmd-rele...
During IBC in September, the news broke that Blackmagic Design has purchased Eyeon and its popular Fusion visual effects software. The questions among those of us at the show began immediately. Will it be free? Will it be $995, price the Blackmagic has used in the past after buying software and then turning it around? […]The post After purchase of Eyeon, BMD releases free Fusion 7, Fusion Studio for $995 appeared first on postPerspective - Randi Altman's postPerspective.
November 10, 2014, 05:58 AM
http://www.panoramaaudiovisual.com/2014/11/10/blac...
Since Monday is now available for free Fusion 7, one of the most advanced software on the market in terms of special effects and animated graphics.
November 8, 2014, 09:17 AM
http://www.artofvfx.com/?p=9867
Here are the winners for the Hollywood Post Alliance 2014 Awards...
November 6, 2014, 07:32 PM
http://www.surfacedstudio.com/vfx-vlog/adobe-after...
You can use Motion Sketch in Adobe After Effects to hand animate the movement of any layer in your composition. You can combine this technique with Null Objects and Expressions to gain full manual control over any effect parameter or layer property that you want. In this tutorial I will show you how to accomplish both of those tasks.
November 4, 2014, 05:47 AM
http://www.hitfix.com/motion-captured/tom-cruise-c...
One of the 8,000 things my kids are currently obsessed with is the Tom Cruise "Mission: Impossible" franchise. They've seen the franchise completely out of order, because I used "Mission: Impossible - Ghost Protocol" to win them over. By far, it's the best of the entire series, and they're already Brad Bird fans because of "The Iron Giant," "The Incredibles," and "Ratatouille," so when I showed it to them, all I had to do was tell them who made it.
November 3, 2014, 05:52 AM
http://www.aotg.com/index.php?page=planet_of_the_a...
During Duck Grossberg’s 15 years in the digital cinema/media market, he has racked up a broad range of experience in several technical roles. In recent years he’s been working on-or-near set as a DIT, digital lab supervisor, and colorist (dailies and on-set) for films that include “Real Steel”, “Life of Pi”, and now “Dawn of the Planet of the Apes”.
November 3, 2014, 05:44 AM
http://www.redsharknews.com/post/item/2144-autodes...
Autodesk Smoke 2015 is one of the few editing systems that can work at almost any resolution and has extensive 3D compositing capabilities, but what is it actually like to work with? AutodeskAutodesk Smokesmoke 2015VFXCompositing
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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