It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 16, 2021, 04:35 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Senior colorist Alex Berman has joined the team at Goldcrest Post (goldcrestpostny.com). He brings more than 20 years of experience in color grading and credits that span feature films, episodic television, documentaries and commercials.
January 13, 2021, 01:49 PM
https://postperspective.com/colorist-chat-okay-stu...
Ruth Wardell is a colorist at East London-based Okay Studio, a post house specializing in offline editing, color and finishing. “We handle a lot of jobs end-to-end, which often makes the process a lot smoother and means, as a creative, I can get involved earlier in a project,” explains Wardell, Continue reading → January 12, 2021 The post Colorist Chat: Okay Studio’s Ruth Wardell appeared first on postPerspective.
January 13, 2021, 01:47 PM
https://postperspective.com/color-grading-netflixs...
By Randi Altman Since its arrival on Netflix in 2016, The Crown has been an obsession for many on both sides of the pond. Based on real events, the series, which is streaming its fourth season now, offers viewers a glimpse of what the royals might actually be like behind closed doors. Continue reading → January 12, 2021 The post Color Grading Netflix’s The Crown appeared first on postPerspective.
January 10, 2021, 03:32 PM
https://www.premiumbeat.com/blog/color-grade-and-e...
In this final episode of the FCPX Essentials Series, we're covering the steps to finalize your edit with color correction, music, and export.
January 1, 2021, 05:11 PM
https://lappg.com/2020/12/29/meet-colorist-andrea-...
Last year we had the opportunity of having colorist Andrea Chlebak (Mandy, Elysium and Chappie) speak at LAPPG about “Color in Narrative” where she discussed working with directors and finding language about color for collaboration as well as how colors and their opposites affect viewers’ emotions. We were so enthralled with her presentation that we … Meet Colorist Andrea Chlebak Read More »
December 17, 2020, 01:47 PM
https://www.provideocoalition.com/nobe-color-remap...
Every now and then you see a new tool in post-production and you say “wow that is unique.” For me, one of those was the Nobe Color Remap from Time in Pixels. When this tool debuted it was unique in that it used a color display with points on a grid to make color adjustments. [...]Read More...
December 10, 2020, 02:12 PM
https://postperspective.com/colorist-chat-andrea-c...
By Randi Altman Industry veteran Andrea Chlebak has spent her career color grading film and television projects while at a variety of post houses. For the past two years, she was at LA’s Efilm, where she worked on projects such as An American Pickle, Bad Hair, Limetown and A Babysitter’s Guide to Monster Hunting. Continue reading → December 9, 2020 The post Colorist Chat: Andrea Chlebak on An American Pickle, Remote Work, More appeared first on postPerspective.
November 30, 2020, 01:49 PM
https://digitalfilms.wordpress.com/2020/11/29/cine...
One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to be the case in many web, streaming, and non-scripted projects, where budgets and availability often dictate the mix of cameras to be used. I frequently end up with RED, ARRI, Panasonic, Sony, DJI, and GoPro cameras […]
November 26, 2020, 01:40 PM
https://postperspective.com/company-3-adds-gareth-...
Company 3 in London has hired Gareth Spensley as senior colorist. He joins from Molinare where he worked on episodic television and feature film projects. Spensley has colored many UK episodic dramas, including Doctor Who, The Durrells, Killing Eve and Bodyguard. His feature work includes Florian Zeller’s The Father and Wes Anderson’s eagerly anticipated The French Dispatch. Continue reading → November 25, 2020 The post Company 3 Adds Gareth Spensley as Senior Colorist appeared firs...
November 25, 2020, 01:28 PM
https://postperspective.com/colorist-ricky-gausis-...
MPC colorist Ricky Gausis worked with director Jonathan Krisel (Portlandia, Baskets) and DP Carl Herse (Black Monday, Kroll Show) to set the look on the Showtime comedy Moonbase 8, starring Fred Armisen, Tim Heidecker and John C. Reilly. The new six-part A24 comedy series follows three subpar astronauts living at NASA’s Moon Base Simulator with high hopes of being chosen to travel to the moon. Continue reading → November 24, 2020 The post Colorist Ricky Gausis Helps Set Look for Sho...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.