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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Grading

March 25, 2020, 01:18 PM

https://postperspective.com/color-grading-workflow...

By Karen Moltenbrey A workstation is a major investment for any studio. Today, selecting the right type of machine for the job can be a difficult process. There are many brands and flavors on the market, and some facilities even opt to build their own. Colorists have several tools available to them when it comes to color grading, Continue reading → March 24, 2020 The post Color Grading appeared first on postPerspective.

Assimilate intros live grading, video monitoring a

March 19, 2020, 12:17 PM

https://postperspective.com/assimilate-intros-live...

Assimilate has launched Live Looks and Live Assist, production tools that give pros speed and specialized features for on-set live grading, look creation, advanced video monitoring and recording. Live Looks provides an easy-to-set-up environment for video monitoring and live grading that supports any resolution, from standard HD up to 8K workflows. Continue reading → March 17, 2020 The post Assimilate intros live grading, video monitoring and dailies tools appeared first on postPerspective.

How to do basic color correction – Grading suite

March 19, 2020, 12:17 PM

https://www.redsharknews.com/post/item/7057-how-to...

It pays to know what you are talking about! In our continuing series on basic colour correction, we decipher some of the most common terminology used in the grading suite. GradingColour CorrectionDavinci ResolveBlake Jones

Colorist Chat: Keith Shaw on Showtime’s Homeland

March 16, 2020, 12:19 PM

https://postperspective.com/colorist-chat-keith-sh...

By Randi Altman The long wait for the final season of Showtime’s Homeland seemed to last an eternity, but thankfully the series it now airing, and we here at postPerspective are pretty jazzed about it. Our favorite spies, Carrie and Saul, are back at it, with this season being set in Afghanistan. Continue reading → March 13, 2020 The post Colorist Chat: Keith Shaw on Showtime’s Homeland and the process appeared first on postPerspective.

Color Finale 2.0

March 14, 2020, 02:11 PM

https://digitalfilms.wordpress.com/2020/03/13/colo...

HDR, camera raw, and log profiles are an ever-increasing part of video acquisition, so post-production color correction has become an essential part of every project. Final Cut Pro X initially offered only basic color correction tools, which were quickly augmented by third party developers. One of the earliest was Color Finale – the brainchild of […]

Senior colorist Tony D’Amore joins Picture Shop

February 27, 2020, 02:57 PM

https://postperspective.com/senior-colorist-tony-d...

Burbank’s Picture Shop has beefed up its staff with senior colorist Tony D’Amore, who will also serve as a director of creative workflow. In that role, he will oversee a team focusing on color prep and workflow efficiency. Originally from rural Illinois, D’Amore made the leap to the West Coast to pursue an education, Continue reading → February 26, 2020 The post Senior colorist Tony D’Amore joins Picture Shop appeared first on postPerspective.

Colorist Chat: Nice Shoes’ Maria Carretero on Su

February 15, 2020, 02:47 PM

https://postperspective.com/colorist-chat-nice-sho...

This New York based colorist, who worked on four Super Bowl spots this year, talks workflow, inspiration and more. Name: Maria Carretero Company: Nice Shoes What kind of services does Nice Shoes offer? Nice Shoes is a creative studio with color, Continue reading → February 14, 2020 The post Colorist Chat: Nice Shoes’ Maria Carretero on Super Bowl ads, more appeared first on postPerspective.

How to do basic grading: Secondary colour correcti

February 3, 2020, 01:27 PM

https://www.redsharknews.com/tutorials/item/6950-h...

Our previous article showed the basics of creating a primary colour correction and why primary colour correction is essential for an outstanding final grade. Our next step is to apply secondary colour correction. Secondary colour correction is essentially the selection and changing of a single colour within the picture without altering anything else or disturbing the general look we want to create.  Colour CorrectionColour GradingDavinci ResolveBlake Jones

Colorist Chat: Light Iron supervising colorist Ian

January 30, 2020, 01:58 PM

https://postperspective.com/colorist-chat-light-ir...

“As colorists, we are not just responsible for enhancing each individual shot based on the vision of the filmmakers, but also for helping to visually construct an emotional arc over time.” NAME: Ian Vertovec TITLE: Supervising Colorist COMPANY: Light Iron CAN YOU DESCRIBE YOUR ROLE IN THE COMPANY? Continue reading → January 27, 2020 The post Colorist Chat: Light Iron supervising colorist Ian Vertovec appeared first on postPerspective.

Advanced Colour Grading in Final Cut Pro X With Co

January 6, 2020, 01:34 AM

http://www.fcp.co/final-cut-pro/articles/2234-adva...

We all know FCPX now has colour wheels and curves, but what about doing more advanced colour corrections? How about a plugin that can track masks, use ACES colour spaces and add film grain? Oliver Peters takes a look a the new Colour Finale 2.

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