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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How our VFX team devised a 3D Piccadilly Circus Ac

November 22, 2021, 08:32 AM

https://www.themill.com/newsfeed/how-our-vfx-team-...

Our VFX team was tasked by Scotch Whiskey brand, Glenfiddich, to create an eye-catching 3D installation that would turn heads in London’s Piccadilly Circus, showcasing the CGI photorealistic stag and brand mascot featured in last year’s TVC.

VFX: Turning Northern England into London for BBC’s Ridley Road

November 19, 2021, 08:44 AM

https://postperspective.com/turning-northern-engla...

Realtime provided visual effects for Ridley Road, a four-part BBC One drama series adapted for television from the Jo Bloom novel. Ridley Road, a thriller set against the backdrop of a swinging ‘60s London, focuses on an East End world where far right fascism is on the rise. Continue reading → November 18, 2021 The post VFX: Turning Northern England into London for BBC’s Ridley Road appeared first on postPerspective.

King Richard Director Talks Post, Editing and Tennis VFX

November 19, 2021, 08:43 AM

https://postperspective.com/king-richard-director-...

By Iain Blair The new Warner Bros. film King Richard is getting a lot of attention this awards season, especially for its star, Will Smith. In this true story, Smith plays Richard Williams, the driven father of Venus and Serena, who had the unwavering belief that his daughters could be tennis legends. Continue reading → November 18, 2021 The post King Richard Director Talks Post, Editing and Tennis VFX appeared first on postPerspective.

Six FREE 3D Models for Cinema 4D Users

November 19, 2021, 08:43 AM

https://www.premiumbeat.com/blog/free-cinema-4d-mo...

Looking for FREE 3D models for your Cinema 4D projects? Check out these six models for use in C4D. Download easily now!

Practical and Digital Effects Expertly Join Forces

November 18, 2021, 09:07 AM

https://www.awn.com/vfxworld/practical-and-digital...

For Oscar-winning VFX supervisor Paul Lambert and SFX supervisor Gerd Nefzer, the seamless blending of live-action and CG on Denis Villeneuve’s stunning, epic adaptation of Frank Herbert’s seminal sci-fi tome grounded the film in a believable reality, fully immersing audiences in Paul Atreides’ hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet.

ILM Expands Virtual Production Services

November 18, 2021, 09:07 AM

https://www.awn.com/news/ilm-expands-virtual-produ...

StageCraft expansion includes LED volume installation in Vancouver; company is currently recruiting talent ahead of the facility’s launch next year.

The trouble with reviews

November 17, 2021, 08:22 AM

https://www.redsharknews.com/the-trouble-with-revi...

Reviews are subjective, but they can also stir quite emotional debate, as well as cynicism. However, they are still important.

HoloSuite gets Depthkit support for easier volumetric capture

November 12, 2021, 08:44 AM

https://www.provideocoalition.com/holosuite-gets-d...

Content creators of all sizes can now capture, edit and distribute their volumetric projects using one pipeline, making it easier than ever to create holograms for Augmented and Virtual Reality. Free to subscribers, the Fall 2021 HoloSuite update includes advanced audio support and an improved user interface. The latest update for the industry leading HoloSuite [...]Read More...

New report shows women underrepresented in VFX industry

November 9, 2021, 08:36 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

LOS ANGELES — While blockbuster films often draw in audiences with their stunning visual effects, a new study shows that the number of women responsible for the on-screen imagery is very low. The report, titled “Invisible in Visual Effects”, is the second in a partnership between Dr. Stacy L. Smith, the Annenberg Inclusion Initiative and Women in Animation (http://womeninanimation.org), and explores women’s participation across industries. The quantitative study examined women working in...

Giantstep Provides VFX and Mocap for K-Pop Music Video

November 9, 2021, 08:35 AM

https://postperspective.com/giantstep-provides-vfx...

Giantstep, which develops virtual humans through its R&D division, GX Lab, provided a series of VFX and animation shots for a K-pop music video for the band aespa and its new song “Savage,” which is from the group’s first mini-album. The music video surpassed 100 million views in 17 days. Continuing the fictional lore of the all-girl group and its calling to defeat the villain Black Mamba, Continue reading → November 8, 2021 The post Giantstep Provides VFX and Mocap for K-Pop Music Video...

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