It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 23, 2021, 08:40 AM
https://beforesandafters.com/2021/07/23/25-years-o...
When Peter Jackson’s The Frighteners was released in 1996, it’s safe to say few people would have realized that more than 500 visual effects shots were created by a small VFX studio established by the director in Wellington, New Zealand. Of course, a couple of years later, everybody would come to know about the creative powerhouses of both Weta Digital and Weta Workshop following the release of The Lord of the Rings.
July 22, 2021, 09:06 AM
https://www.premiumbeat.com/blog/10-best-youtube-c...
Follow these phenomenal YouTube editing experts to master the basics of color correction and color grading. Wherever you are on your “hey, I make videos” career timeline, …
July 22, 2021, 09:06 AM
https://postperspective.com/review-adobes-speech-t...
By Brady Betzel Adobe Creative Cloud July 2021 has a few very intriguing updates. Before I jump into what is updated in Premiere, let’s touch on the After Effects beta. As of July 20, it now contains support for multi-frame rendering, which provides much faster processing power. Adobe is still in the process of porting over many of the effects that embrace the power of multi-frame rendering, Continue reading → July 21, 2021 The post Review: Adobe’s Speech to Text Inside of Premiere Pro app...
July 22, 2021, 09:06 AM
https://www.premiumbeat.com/blog/after-effects-pre...
Adobe has unveiled a new Public Beta for AE, as well as new features for Premiere. Let's take a sneak peek.
July 22, 2021, 09:06 AM
https://www.provideocoalition.com/porter-robinsons...
Not even a pandemic could stop record producer, musician and singer Porter Robinson from sharing his creativity, and the Secret Sky concert turned into an experience where VR played an important part. Two years ago electronic music wizard Porter Robinson surprised the world with his Second Sky Music Festival in Oakland, California. The Second Sky [...]Read More...
July 22, 2021, 09:05 AM
https://www.provideocoalition.com/crossing-the-180...
Kimmy Gatewood has an impressive CV as a television writer, editor, actor, and primarily director. Her narrative feature debut is the Netflix Original “Good on Paper” written by and starring comedian Iliza Schlessinger. This week on Crossing the 180 we take a deep dive into Kimmy’s career. From her early days doing improv, to her [...]Read More...
July 22, 2021, 09:05 AM
https://postperspective.com/vfx-supervisor-damien-...
Framestore in Montreal has added Damien Stumpf to its team as VFX supervisor. Stumpf brings over two decades of experience to Framestore, including working on independent and feature films. His latest high-profile project as VFX supervisor was Cruella, which saw him work closely with the film’s director, Craig Gillespie, and the film’s overall VFX supervisor, Continue reading → July 21, 2021 The post VFX Supervisor Damien Stumpf joins Framestore Montreal appeared first on postPerspective.
July 22, 2021, 09:04 AM
https://www.provideocoalition.com/an-art-of-the-fr...
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO MASTERS. You can subscribe to the Art of the Frame podcast on Anchor, Apple Podcasts, Spotify or wherever you catch your podcasts. The podcast will publish on Tuesday, July 27. This is a cleaned-up transcript of three [...]Read More...
July 22, 2021, 09:04 AM
https://www.artofvfx.com/the-mysterious-benedict-s...
Philippe Thibault has been working in visual effects for over 20 years. He is the co-founder of the studio FOLKS. He has worked on various shows such as 12 Monkeys, Arrival, Shadowhunters: The Mortal Instruments and Jupiter’s Lagacy.
July 22, 2021, 09:04 AM
https://beforesandafters.com/2021/07/22/re-creatin...
When Derek Ham wanted to expand his VR horizons—he had already made the award-winning ‘I Am A Man’ VR experience—he looked to baseball. And not just a run-of-the-mill baseball experience, but one that celebrated the Negro Baseball League, which is celebrating its 100th anniversary.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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