It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 6, 2021, 08:56 AM
https://www.premiumbeat.com/blog/24-hidden-premier...
Discover twenty-four hidden features, shortcuts, and hacks that every Premiere Pro editor needs to know about.
July 5, 2021, 08:47 AM
http://www.davidbordwell.net/blog/2021/07/02/learn...
The Hand That Rocks the Cradle (1992). DB here: “Every film trains its spectator,” I wrote a long time ago. In other words: A movie teaches us how to watch it. But how can we give that idea some heft? How do movies do it? And what are we doing? Many menus Tinker, Tailor, […]
July 5, 2021, 08:47 AM
https://www.provideocoalition.com/after-effects-ma...
Rendering times in After Effects can vary a lot. If you’ve been using After Effects for a while, you’ve probably had some projects that render quickly, and others very slowly. Sometimes it can be hard to pinpoint exactly why some projects render faster than others. In my recent series on “After Effects and Performance”, rendering [...]Read More...
July 5, 2021, 08:46 AM
https://www.premiumbeat.com/blog/paul-thomas-ander...
Let’s look at P.T. Anderson’s masterful “frame within a frame” compositions and explore ways you can incorporate the technique in your next project. When I think of …
July 2, 2021, 09:03 AM
https://postperspective.com/behind-the-title-defin...
Chris Reinhart is SVP of post production at Definition 6, a New York- and Atlanta-based agency that creates customer experiences by using creative, technology, analytics, post, sound, social and live-action production. As head of the post department, Reinhart’s day-to-day consists of managing the people and making the technology and business decisions to help move the group forward. Continue reading → July 1, 2021 The post Behind the Title: Definition 6 SVP of Post Chris Reinhart appeared fi...
July 2, 2021, 09:03 AM
https://postperspective.com/dit-chat-candymans-jam...
By Randi Altman Set to hit theaters at the end of August, the Jordan Peele-penned Candyman is a supernatural slasher film directed by Nia DaCosta and starring Watchmen‘s Yahya Abdul-Mateen II. It’s a sequel to the 1992 film of the same name and the fourth film in the Candyman film series (and no matter what you do, Continue reading → July 1, 2021 The post DIT Chat: Candyman’s James Notari appeared first on postPerspective.
July 2, 2021, 09:03 AM
https://digitalfilms.wordpress.com/2021/07/01/audi...
Audio mixers and audio editors who spend their time at the business end of a DAW certainly have a solid understanding of audio plug-ins. But often it’s something many video editors don’t know much about. Every NLE includes a useful complement of audio filter effects (plug-ins) that can also be augmented by a wide range […]
July 2, 2021, 09:02 AM
https://nofilmschool.com/visual-effects-photograph...
Guest David Stump has worked on some of the biggest visual effects movies as well as being at the forefront of the shift to the digital medium, helping to develop the tech being used by filmmakers today.
July 2, 2021, 09:01 AM
https://beforesandafters.com/2021/07/02/looking-ba...
Under the artful watch of visual and digital effects supervisors Volker Engel, Doug Smith and Tricia Ashford, a crack team of in-house effects artists and several post houses carried out the significant CG, matte painting and compositing duties for Independence Day.
July 1, 2021, 11:54 AM
https://postperspective.com/cruella-editor-tatiana...
Disney’s Cruella, now available for digital download, is a live-action origin story based on Cruella de Vil’s character and her rise to wickedness. Set in 1970s London, Estella Miller (Emma Stone) is an aspiring fashion designer and goth who admires yet seeks to destroy her eventual nemesis, the Baroness von Hellman (Emma Thompson). Continue reading → June 30, 2021 The post Cruella Editor Tatiana Riegel: Workflows During Covid appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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