It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 8, 2021, 08:53 AM
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Behind the shots with visual effects supervisor Jim Mitchell.
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From rap music to survivalists, bullet-proof clothing to porn conventions, you name it and moviemaker Chris Tellefsen has probably edited it. Without the benefit of a film school education, Tellefsen has gone from art student to in-demand film editor with an eclectic resume that includes such diverse titles as Whit Stillman’s Metropolitan, Larry Clark’s Kids, Milos Forman’s Man on the Moon, Robert Benton’s The Human Stain, M. Night Shyamalan’s The Village and Bennett Miller’s Capote.
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By Francisco Lorite, C.S.I. I’m Francisco Lorite and I’m a colorist in Los Angeles, CA. I started working with color more than 13 years ago, beginning at Technicolor Madrid grading in film. Photochemical process and simplicity were always on my mind and now what we can achieve in Mistika is visually as compelling. I’ve been … Review of Mistika Boutique Read More »
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There’s good news, and there’s bad news. Actually, it’s better than that. For all After Effects users out there, it’s more of a good news / kinda bad news / very good news situation. This is part 17 of a long-running series on After Effects and Performance. If you’ve followed a link directly here then [...]Read More...
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