It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2021, 01:51 PM
https://postperspective.com/avid-launches-of-edit-...
Avid has introduced its Edit On Demand subscription service allowing video content creation teams in film, video and broadcast post to rapidly turn on secure virtual post production environments in the cloud. Shaped by successful production deployments during the Early Access Program with more than 60 production companies, post houses and broadcasters participating, Continue reading → March 8, 2021 The post Avid Launches of Edit On Demand Cloud Subscription Service appeared first on ...
March 9, 2021, 01:50 PM
https://www.productionhub.com/blog/post/working-wi...
Recently we had the opportunity to talk at length with Colorist Juan Cabrera, ASC Associate Member. Juan provided some incredibly valuable insights on his journey and on the art of being a colorist for major motion pictures and television. Juan also shed some light on how everyone at all levels of the production workflow can benefit from learning that the journey from beginning to the end really begins in pre production. Very enlightening to say the least. Check it out!
March 9, 2021, 01:50 PM
https://lappg.com/2021/03/01/expand-your-creative-...
EXPAND YOUR CREATIVE CAPABILITIES WITH A FREE TRIAL OF PROFESSIONAL GRADING AND FINISHING TOOLS Will you have some downtime over the holidays? Interested in learning something different and expanding your creativity for the New Year? Now is your chance to take a free test drive of SGO’s full-finishing software-only solution Mistika Boutique with a recently … Get your Free Trial of Mistika Boutique Read More »
March 8, 2021, 01:28 PM
https://www.screeneditors.com.au/editing-run-direc...
THE EDITING PROCESS FOR 'RUN' By Richard Bullock - Director 'RUN' is a feature-length documentary filmed over four years and across eight countries. It follows the journey of a small group of Sudanese refugees endeavouring to qualify for the Olympic Games in Tokyo, 2020. https://www.youtube.com/watch?v=X0arJe8DAtI&t=289s Filming began in 2017, and the final shoot was due to […]
March 8, 2021, 01:28 PM
https://www.screeneditors.com.au/tech-tips-the-wac...
THE WACOM BUTTONS By Timothy Hadwen One of my most used tools in the past 12 months has been the Wacom Intuos Pro S tablet. However, only a few months ago, I discovered its use far beyond the benefits of precision and mitigating the wrist strain that some might get from using a mouse. I […]
March 8, 2021, 01:28 PM
https://www.screeneditors.com.au/where-to-watch-th...
By Antoinette Ford. THE AVID AWARD FOR BEST EDITING IN FEATURE DRAMA ANDY CANNY – 'The Invisible Man' – AMAZON PRIME THE BLUE POST AWARD FOR BEST EDITING IN DRAMA GEOFF LAMB – 'The Commons' - Episode 1 - STAN THE AUSTRALIAN FILM TELEVISION & RADIO AWARD BEST EDITING IN SHORT DRAMA MICHAEL SHANKS, KEVIN […]
March 8, 2021, 01:28 PM
https://www.premiumbeat.com/blog/walter-murch-how-...
and criteria from one of the most famous and respected film editors of all time—Walter Murch.
March 8, 2021, 01:27 PM
https://digitalfilms.wordpress.com/2021/03/07/trus...
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an online edit or color correction suite using a single, calibrated reference monitor. We’ve moved away from rooms that look like the bridge of the Enterprise into more minimalist set-ups. This is coupled with the current and […]
March 8, 2021, 01:27 PM
http://www.digitalrebellion.com/blog/posts/recent_...
In case you missed it, here are some recent software updates for our products.Cut Notes for iPad 2.6 - Mar 2 2021 Exporting now uses the default iOS share dialog. This provides a wider range of services you can save your notes to. Dropbox support has been removed from the app - install the Dropbox app and you can save files to it from the new share dialog Post Haste for Mac 2.7 - Feb 23 2021 Native support for M1 Macs Compatibility with macOS 11.0 Big Sur Added Adobe CC 2020 project te...
March 8, 2021, 01:27 PM
https://lappg.com/2021/03/06/post-magazine-free-su...
Get your FREE subscription to the industry’s leading post production magazine, Post. It’s easy, just click on the graphic and fill out the form!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.