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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Gregory Reese Joins a52 Color

July 13, 2019, 08:27 AM

https://www.studiodaily.com/2019/07/gregory-reese-...

Gregory Reese has become the newest colorist on the roster at Santa Monica’s a52 Color. Reese arrives at a52 after working as a colorist at The Mill for eight years, spending some of that time with a52 Color Executive Producer Thatcher Peterson, also a veteran of The Mill. His resume includes commercial credits for brands […] The post Gregory Reese Joins a52 Color appeared first on Studio Daily.

Veteran episodic colorist Scott Klein joins Light

July 9, 2019, 09:33 AM

https://postperspective.com/veteran-episodic-color...

Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at their Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series. “While Light Iron was historically known for its capabilities with feature films, Continue reading → July 9, 2019 The post Veteran episodic colorist Scott Klein joins Light Iron appeared first on postPerspective.

MPC bolsters color team with recent addition

June 18, 2019, 06:17 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Moving Picture Company (www.moving-picture.com) has bolstered its color team via the recent arrival of Yoomin Lee. A leading colorist, she cut her teeth working for some of Australia’s top post houses, including Frame, Set & Match, The Lab and Cutting Edge, before joining Jogger Studios London in 2016.  

Behind the Title: DigitalFilm Tree colorist Patric

June 6, 2019, 04:28 AM

https://postperspective.com/behind-the-title-digit...

This colorist, who works on episodic TV series, says, “There are so many talented colorists and photographers on Instagram. It’s where I get my daily inspiration.” NAME: Patrick Woodard COMPANY: DigitalFilm Tree (@digitalfilmtree) CAN YOU DESCRIBE YOUR COMPANY? Continue reading → June 5, 2019 The post Behind the Title: DigitalFilm Tree colorist Patrick Woodard appeared first on postPerspective.

Behind the Title: Editor and colorist Grace Novak

May 23, 2019, 08:18 AM

https://postperspective.com/behind-the-title-edito...

NAME: New York-based Grace Novak WHAT’S YOUR JOB TITLE? Editor and Colorist WHAT DOES THAT ENTAIL? I work with directors/clients to make their project come to life using an editing program. Then during the color process, I bring it even closer to their aesthetic vision. Continue reading → May 22, 2019 The post Behind the Title: Editor and colorist Grace Novak appeared first on postPerspective.

A52 Ups Its Color Game with Paul Yacono, Daniel de

May 17, 2019, 08:03 PM

https://www.studiodaily.com/2019/05/a52-ups-color-...

In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […] The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.

Little’s dailies-to-ACES finishing workflow via

May 1, 2019, 12:39 PM

https://postperspective.com/littles-dailies-to-ace...

FotoKem’s Atlanta and Burbank facilities both worked on the post production — from digital dailies through finishing with a full ACES finish — for Universal and Legendary Pictures’ film, Little. From producer Will Packer (Girls Trip, Night School, the Ride Along franchise) and director/co-writer Tina Gordon (Peeples,  Continue reading → May 1, 2019 The post Little’s dailies-to-ACES finishing workflow via FotoKem appeared first on Randi Altman's postPerspective.

Colorist Peter Doyle joins Warner Bros. De Lane Le

April 29, 2019, 01:20 PM

https://postperspective.com/colorist-peter-doyle-j...

World renown and respected supervising colorist Peter Doyle, whose large body of work includes on The Lord of the Rings trilogy, has joined London’s Warner Bros. De Lane Lea’s (WBDLL) new picture services division. Doyle brings with him extensive technical and creative expertise acquired over a 40- year career. Doyle has graded 12 of the 100 highest-grossing films of all time including the Harry Potter film series. Continue reading → April 29, 2019 The post Colorist Peter Doyle join...

Colorist Andreas Brueckl on why he has embraced AC

April 26, 2019, 06:20 AM

https://postperspective.com/colorist-andreas-bruec...

By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East before landing at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading → April 23, 2019 The post Colorist Andreas Brueckl on why he has embraced ACES workflow appeared first on Ra...

Warren's NAB report 2019

April 24, 2019, 05:26 AM

https://icolorist.com/2019/04/24/warrens-nab-repor...

This is Warren's report from NAB 2019. He co hosted the Colorist Mixer and presented at Post Production World, as well as walking the halls of NAB.

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