It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 15, 2021, 12:36 AM
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Global Editing Perspectives: The Impact of COVID-19 By Edgar Burcksen, ACE, NCE A year ago in the U.S, our industry was hit hard when due to the novel coronavirus studios stopped production and theaters shut down, robbing the industry of a major platform for their releases. I was in the final phases of editing a documentary and although we did not stop work, facemasks, rubber gloves, hand sanitizers and social distancing were strictly implemented. We wiped down the keyboards and other equ...
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Subscribers to Adobe Creative Cloud have a whole suite of creative tools at their fingertips. I believe most users often overlook some of the less promoted features. Here are five quick tips for your workflow. (Click on images to see an enlarged view.) Camera Raw. Photographers know that the Adobe Camera Raw module is used […]
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Learn why LumaFusion's intuitive interface, optimized performance, and superb mobility make it the best editing app on iPad.
February 12, 2021, 02:02 PM
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London-based studio One of Us helped create the look and visual tone of ‘Bridgerton,’ the new Netflix series created by Chris Van Dusen. One of Us created 336 visual effects shots using a wide range of tools including Foundry’s Nuke and Mari, Autodesk’s Maya, SideFX’s Houdini, SpeedTree and Adobe Photoshop. Based on the novels of Julia Quinn, Continue reading → February 11, 2021 The post One of Us Creates VFX for Netflix’s Bridgerton appeared first on postPerspective.
February 12, 2021, 02:02 PM
https://postperspective.com/frame-io-intros-camera...
Frame.io C2C will be available this spring to all customers at no additional cost. Those interested can sign up for the beta now. Frame.io C2C provides two services. First, C2C enables instant proxy uploads the moment cameras stop rolling so editorial can begin within seconds of calling “cut.” In addition, Frame.io C2C can live-stream footage to an authorized user’s device on or off set, Continue reading → February 11, 2021 The post Frame.io Intros Camera to Cloud Post Workflow ap...
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https://www.productionhub.com/blog/post/video-edit...
Video editing is a time consuming process and to edit something good you'll need someone with experience, decent footage and creativity. Anyone can edit shots to a piece of music and upload it to social media but once you want to tell a story and keep peoples attention, you'll need to consider a few things when planning your video edit. When it comes to media production in this day and age there is no right or wrong, just ones that end up good and ones that end up bad.
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You may think that products from AJAs are something only filmmakers and broadcasters use in big productions, but with live streaming being part of the daily routine for many, AJA’s hardware is being used everywhere. Live streaming is a popular term these days, as the pandemic forced many to learn new ways to communicate. From [...]Read More...
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Borix FX is the third company to be certified by Netflix’s Post Tech Alliance in the VFX category, with Boris FX Silhouette, the top choice of rotoscope, high-end digital paint, added to Netflix’s list. Netflix has been a key destination for many of us in recent months, as we’ve all watched a lot of Netflix over [...]Read More...
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