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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transcript: Digital Production Buzz – Dec. 12, 2

December 13, 2013, 04:01 PM

http://www.digitalproductionbuzz.com/2013/12/trans...

Digital Production Buzz December 12, 2013 [Transcripts provided by Take1.tv] [Click here to listen to this show.] HOSTS Larry Jordan Michael Horton GUESTS Thom Calabro, Director, Marketing & Product Development, Fujifilm Optical Division Lan Bui, Cinematographer, The Bui Brothers Brian Drewes, Co-Founder, ZEROvfx Beverley Horne, Head of TV Post, LipSync Post === Voiceover: This Digital Production Buzz is brought to you by Blackmagic Design, creators of the world’s highest quality solution...

Guerilla Render v1.0 Now Available

December 12, 2013, 05:31 AM

http://www.awn.com/news/cg/guerilla-render-v10-now...

Mercenaries Engineering announces the release of the new Guerilla Render, the next-generation renderer focused on production requirements.

DAY OF THE DOCTOR: Murray Barber – VFX Superviso

December 10, 2013, 11:01 AM

http://www.artofvfx.com/?p=5603

For over 10 years, Murray Barber has worked in many English VFX studios like MPC, Double Negative, Cinesite, Mill Film and Milk VFX. He has participated on projects such as BLACK HAWK DOWN, TROY, CORPSE BRIDE or 28 WEEKS LATER and also the TV series DOCTOR WHO.

Fire Effect from 'Backdraft'

December 10, 2013, 11:00 AM

http://nofilmschool.com/2013/12/get-door-fire-effe...

This is part of our behind-the-scenes series on a slow-motion, live-burn fire shoot shot on a Phantom Flex4K.

The Pillars of the Earth (2010)

December 10, 2013, 10:59 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Nothing is sacred.” Twelfth century England. An era ruled by strife, anarchy – and ...

Thor: The Dark World: Luma Pictures Unites

December 10, 2013, 05:33 AM

http://library.creativecow.net/cow_news/Luma-Pictu...

The VFX house, Luma Pictures was called upon again to deliver VFX shots for the newest installation of Marvel's Thor adventures, "Thor: The Dark World." Working seamlessly across two continents, Luma delivered major villains, creatures, sets, atmospheric effects, character-interactive effects, and much more for the second film in the series.

How to get started with Cinema 4D

December 9, 2013, 11:24 AM

http://www.creativebloq.com/3d/how-get-started-cin...

Now it's part of the Creative Cloud, Cinema 4D is more popular than ever. Mike Griggs offers some tips to get you started.

Cinelicious scans 35mm and colors Arcade Fire’s

December 4, 2013, 01:52 PM

http://postperspective.com/2013/12/cinelicious-sca...

LOS ANGELES — For Arcade Fire’s new release the band commissioned Afterlife, a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The film is over seven minutes and features a journey through nightmares, lost loves, and family ties. (See it here: https://vimeo.com/79836732) The film was […]

Powderhouse Productions Anchors Itself to BCC 8 AV

December 4, 2013, 01:52 PM

http://www.borisfx.com/borisfxnews/2013/12/04/powd...

Earlier this year, Powderhouse Productions, a full service production company that develops original programming for the likes of A&E, History, Animal Planet, and Travel Channel, underwent a major Avid upgrade. When Stephen Barker, Director of Post-Production, polled his team of … Continue reading →

CGI, One Big Toy Box

December 4, 2013, 04:15 AM

http://www.asmp.org/strictlybusiness/2013/12/cgi-o...

My first exposure to an integrated CGI and photography workflow came when photographer Chris Clor came to speak to my ASMP chapter, to show his work and share his methodology. I was blown away! Chris’ presentation opened my eyes to the potential of this type of production, as he drew back the curtain and showed us all of his layers in Photoshop. It was magic. I had seen the future, and bought a copy of Cinema 4D the next day.

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