Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Title: AlphaDogs colorist Sean Stack

December 5, 2016, 10:25 AM

http://postperspective.com/behind-the-title-alphad...

NAME: Sean Stack COMPANY: Burbank’s AlphaDogs CAN YOU DESCRIBE YOUR COMPANY? We are a post production facility focused on online finishing, including color correction and audio mixing. We also have graphic artists and complete duplication, format conversion and tape output capabilities. Continue reading → December 5, 2016 The post Behind the Title: AlphaDogs colorist Sean Stack appeared first on Randi Altman's postPerspective.

SGO Mistika Wins HPA 2016 Engineering Excellence A

November 29, 2016, 08:10 PM

http://www.broadcastbeat.com/sgo-mistika-wins-hpa-...

The Hollywood Professional Association (HPA) has honored SGO’s Mistika with the prized 2016 HPA Engineering Excellence Awards at the prestigious HPA Awards gala held on November 17, 2016 at the Skirball Cultural Center in Los Angeles, California. The Engineering Excellence Awards were created to spotlight and reward companies and individuals providing services to the professional ...

RESOLVE EDITING 101 09. Colour Grading

November 23, 2016, 10:36 AM

http://www.redsharknews.com/tutorials/item/3968-re...

In the ninth episode of our exclusive 10-part tutorial series on how to edit video with Resolve, Darren Mostyn from Online Creative takes it all back to the origins of the software and looks at colour grading: scopes, nodes, auto-colour, primary grading, shot matching, Look Up Tables, grouping, stills, and more. TutorialsNon Linear EditingResolve

Are Marvel Movies Ugly? Color Grading and the MCU

November 22, 2016, 01:21 PM

https://filmschoolrejects.com/are-marvel-movies-ug...

here is no doubt that the Marvel Cinematic Universe is enjoying unprecedented success. A dozen-plus films, multiple franchises all interweaving around the same core storyline, and all dragging in hundreds of millions of dollars at the box office, not to mention mostly positive critical reception. Marvel hires well, casts well, promotes well, and delivers — for the most part — what its eager, loyal, and expectant fan base wants. There’s yet to be a Marvel movie that’s been univers...

Better Color Grading Workflow on Your Video Edits

November 21, 2016, 10:49 AM

https://fstoppers.com/post-production/tips-better-...

For many filmmakers who are getting into RAW workflows for the first time, or perhaps wanting to up their post-production skill set, color grading can at first appear to be a big, scary monster full of weird tools and a puzzling workflow that makes college physics seem simple. In this Q&A video from Film Riot, Colorist John Carrington answers some frequently asked questions regarding his approach and process to doing color work on video footage.

Kodachrome, Pt. 1

November 17, 2016, 01:38 PM

http://boingboing.net/2016/11/17/kodachrome-pt-1.h...

Color slides were once the state of the art in family photography -- vibrant, immersive, ubiquitous. So ubiquitous, in fact, that millions, maybe billions of them survive. A conversation with midcentury pop culture expert Charles Phoenix: What can we learn from the vast shadow world of abandoned slides about the way we used to live in our homes?

NYC – ICA 201: Advanced Colorist Strategies with

November 7, 2016, 06:34 AM

http://feedproxy.google.com/~r/industryhappenings/...

This two-day class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning. What You Will Learn in ICA 201: Start with dailies. Grade a look for editing from the RAW camera files Making a LUT, exporting LUTs and Looks Render ProRes or DNxHD for offline editing, H264...

Colorfront ports 4K Transkoder to Mac and talks 8K

November 7, 2016, 06:33 AM

http://www.redsharknews.com/post/item/3916-colorfr...

Colorfront’s popular tool for DCP and IMF mastering gets a Mac Pro-oriented release, while the PC version adds 8K power and lots of new functionality. ColorfrontTranskoderTranskoder 2016IMFDCPTranscodingHDRQC

Get an ACES Crash Course with Mixing Light

November 1, 2016, 07:21 PM

http://www.studiodaily.com/2016/11/get-an-aces-cra...

Looking for a way into an ACES workflow? Trying to bone up on concepts like IDTs, ODTs, and the ASC CDL? Just want to be ready to speak intelligently when a client asks you about the technology formally known as … more » The post Get an ACES Crash Course with Mixing Light appeared first on Studio Daily.

Josh Haynie Moves from Efilm to Light Iron

October 24, 2016, 12:15 PM

http://www.studiodaily.com/2016/10/josh-haynie-mov...

Josh Haynie has been named VP of U.S. operations, working out of Light Iron's Hollywood facility. He wil be charged with helping manage the company's growth under Panavision's ownership. "To continue on this trajectory, we're bringing in a leader to … more » The post Josh Haynie Moves from Efilm to Light Iron appeared first on Studio Daily.

1 14 15 16 17 18 50

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.