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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hedge announces major upgrades to EditReady, Hedge, and Canister

February 3, 2022, 08:44 AM

https://www.redsharknews.com/hedge-announces-major...

Hedge's EditReady, Hedge, and Canister now all come with valuable workflow efficiencies.

Dune: Why go from digital to film, and back to digital again?

February 3, 2022, 08:42 AM

https://www.redsharknews.com/dune-why-go-from-digi...

You may have heard that the recent sci-fi epic DUNE was shot digitally on an Arri Alexa LF, then finally transferred to 35mm film. Then scanned back to digital again. Why?

Sundance: The Editors of Hybrid Doc Framing Agnes

February 1, 2022, 08:45 AM

https://postperspective.com/sundance-the-editors-o...

Framing Agnes, which premiered at this year’s Sundance, is a participatory documentary about the legacy of one trans woman. “Agnes” is the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s. Blending fiction and nonfiction, Framing Agnes director Chase Joynt aims to widen the window through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by t...

After Effects Roundup January 2022

February 1, 2022, 08:45 AM

https://www.provideocoalition.com/after-effects-ro...

We’re in between releases for After Effects, although NAB 2022 is only a few months away. The year starts with some troubleshooting, Photoshop chops, maps in After Effects, keyboard shortcuts, various plug-in demoes and tips, and more. The After Effects User Guide is now our main reference and contains links to New features, Keyboard shortcuts, and various FAQs, [...]Read More... from After Effects Roundup January 2022

How to Create Real 3D Terrain in Blender (Without Plugins)

January 31, 2022, 09:31 AM

https://www.premiumbeat.com/blog/3d-terrain-blende...

Use real world map data to create stunning 3D terrain. Here's a step-by-step tutorial to get you started. Video included.

This is what High Definition looked like in 1990

January 31, 2022, 09:30 AM

https://www.redsharknews.com/this-is-what-high-def...

I found the fascinating clip on the internet of Sony’s HD definition show reel from 1990.

Do we perceive images using more than pixels?

January 31, 2022, 09:30 AM

https://www.redsharknews.com/do-we-perceive-images...

Replay: We might think we know what makes up our perception of images, such as resolution, colour, and pixels, but what if there's much more to it than that? RedShark's Editor at Large, David Shapton gives us his thoughts on the matter.

Analogue Wayback, Ep. 2

January 31, 2022, 09:30 AM

https://digitalfilms.wordpress.com/2022/01/30/anal...

Ice Falling like Bricks From the Sky I spent a couple of years in the early 1980s in Birmingham, working as a TV station production manager. The two dominant network affiliates in town were situated at the top of Red Mountain overlooking the city. It’s known for the city’s statue of Vulcan, a tribute to […]

Director Adam McKay and His Go-To Editor Hank Corwin on Don’t Look Up

January 28, 2022, 08:49 AM

https://postperspective.com/dont-look-up-director-...

By Iain Blair Oscar-winning writer/director Adam McKay has become one of the most successful filmmakers in Hollywood thanks to such hits as Anchorman, Step Brothers, Talladega Nights, The Big Short, Vice and Marvel’s Ant-Man. His new film is another comedy/drama/action mashup, Continue reading → January 27, 2022 The post Director Adam McKay and His Go-To Editor Hank Corwin on Don’t Look Up appeared first on postPerspective.

Sundance: Adobe Premiere Pro used on 61% of festival films

January 28, 2022, 08:49 AM

https://www.provideocoalition.com/sundance-adobe-p...

For the fourth year in a row, Adobe Premiere Pro is the most prevalent video editing software at the festival, used by 61 percent of films. After Effects and Photoshop are also used by many films. We’ve written this before, and here it goes again: The Sundance Film Festival is back – 2022 edition – and with [...]Read More... from Sundance: Adobe Premiere Pro used on 61% of festival films

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