To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
La SAE otorgó el Premio al Mejor Montaje en el 35
December 3, 2020, 01:49 PM
http://saeditores.org/Novedades/La-SAE-otorgo-el-P...
El jurado, integrado por Ana Godoy (SAE), Josefina Llobet (SAE) y Damián Bericat (SAE) otorgó el Premio al Mejor Montaje entre todos los largometrajes argentinos que participaron en las secciones Competencia Argentina, Competencia Latinoamericana, Competencia Internacional y Competencia Estados Alterados.
ART OF THE CUT with Gabriel Rhodes on editing the
December 2, 2020, 01:54 PM
https://www.provideocoalition.com/aotc-time/
Today, I talk with Gabriel Rhodes about a feature documentary that has Oscar buzz – Garrett Bradley’s Time. Gabriel’s credits include Matangi/Maya/M-I-A (which won the Special Jury Prize at Sundance 2018). Also, the documentaries, Newtown, The Witness, 1971, The Tillman Story, Without Shepherds, and Quest For Honor – some of which were shortlisted for Oscar consideration. [...]Read More...
Merge Now a Part of Postlab
December 1, 2020, 02:09 PM
https://www.fcp.co/final-cut-pro/articles/2348-mer...
Merge, the FCP event, clip and project management tool is now bundled into Postlab. Combine XMLs to get data from multiple sources into one updated Library.
Why Premiere Pro Is Crashing
December 1, 2020, 02:05 PM
https://www.premiumbeat.com/blog/why-premiere-pro-...
In this article, we’re going to explore crashes and slow downs with Premiere Pro. We’ll look at what causes some of the most common crashes and what you can do to try and solve them. (Or work around them!)
Harbor Hires Lauren Boyle to Lead Commercial Sound
December 1, 2020, 02:00 PM
https://postperspective.com/harbor-hires-lauren-bo...
Lauren Boyle has joined Harbor’s NYC studio as senior producer, commercial sound post. With over 15 years of experience in the industry, Boyle will be spearheading the operations and sales for Harbor’s expanding commercial sound post division, joining sound mixers Steve Perski, Walter Bianco and Mark Turrigiano. Boyle began her career working sound in promos for network television studios, Continue reading → November 30, 2020 The post Harbor Hires Lauren Boyle to Lead Commerc...
Connect Multiple Thunderbolt Devices with the OWC
December 1, 2020, 02:00 PM
https://www.fcp.co/hardware-and-software/2347-conn...
In the blast of publicity surrounding the new M1 chips and the contemporaneous release of macOS Big Sur, the new capability of Thunderbolt 'hubbing' got slightly overlooked.
4 Ways to Use Hybrid Cloud Storage for Post Produc
December 1, 2020, 02:00 PM
http://www.avidblogs.com/4-ways-to-use-hybrid-clou...
The post 4 Ways to Use Hybrid Cloud Storage for Post Production appeared first on Avid Blogs.
CineMatch from FilmConvert
November 30, 2020, 01:49 PM
https://digitalfilms.wordpress.com/2020/11/29/cine...
One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to be the case in many web, streaming, and non-scripted projects, where budgets and availability often dictate the mix of cameras to be used. I frequently end up with RED, ARRI, Panasonic, Sony, DJI, and GoPro cameras […]
Cleanfeed: much better than Zoom.us for 48 kHz rem
November 30, 2020, 01:48 PM
https://www.provideocoalition.com/cleanfeed-much-b...
For several years, I have been using (and recommending) Cleanfeed (and Cleanfeed Pro) to make pristine remote audio recordings at 48 kHz. However, since Zoom.us recently added a rather hidden 48 kHz audio setting (up from an unbelievably low 32 kHz sampling frequency as standard, and still the default with Zoom.us), some people have started [...]Read More...
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