It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 28, 2020, 02:35 PM
http://saeditores.org/Novedades/El-taxi-de-los-sue...
Este sábado 28 de Noviembre conversamos con Miguel Schverdfinger sobre la percepción, construcción y manipulación del tiempo en el relato cinematográfico. La charla será moderada por César Custodio (SAE).
November 28, 2020, 02:34 PM
https://www.provideocoalition.com/post-notes-2-for...
Over five years ago I wrote a piece called Feature Request: A Notepad built into non-linear editing applications. I was a discussion about how handy it would be to have a way to quickly take notes inside of your NLE without having to tab over to another application or move to a totally different platform [...]Read More...
November 27, 2020, 01:43 PM
https://www.premiumbeat.com/blog/diy-documentary-d...
A chat with the filmmakers of Affected: The Story of Us on how they were able to put the soundtrack first to render their emotions. Dive in!
November 27, 2020, 01:43 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Deluxe (www.bydeluxe.com), the global provider of digital and cloud-based solutions to content production studios and distributors, has announced the appointment of Chris Reynolds to executive vice president, localization and fulfillment services. In this new role, Reynolds will oversee the two business lines on a worldwide basis. The move is part of Deluxe's strategic decision to combine its localization and fulfillment operations, as the services have become increasingly i...
November 26, 2020, 01:40 PM
https://postperspective.com/company-3-adds-gareth-...
Company 3 in London has hired Gareth Spensley as senior colorist. He joins from Molinare where he worked on episodic television and feature film projects. Spensley has colored many UK episodic dramas, including Doctor Who, The Durrells, Killing Eve and Bodyguard. His feature work includes Florian Zeller’s The Father and Wes Anderson’s eagerly anticipated The French Dispatch. Continue reading → November 25, 2020 The post Company 3 Adds Gareth Spensley as Senior Colorist appeared firs...
November 26, 2020, 01:40 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
For most successful horror film franchises, the river to box-office gold runs crimson with the blood of gleefully slaughtered teens. Nowhere is this more evident than in the Final Destination series, which celebrated its 20th anniversary in 2020. Over a ten-year period and five films (with a reboot on the way), the franchise raked in over $650 million at the box office for New Line Cinema, with a total kill count of 496; pretty decent numbers for a series lacking a corporeal villain. In the ...
November 26, 2020, 01:40 PM
http://www.avidblogs.com/comparing-pro-tools-carbo...
The post Comparing Pro Tools | Carbon and Pro Tools | MTRX Studio appeared first on Avid Blogs.
November 25, 2020, 01:28 PM
https://postperspective.com/colorist-ricky-gausis-...
MPC colorist Ricky Gausis worked with director Jonathan Krisel (Portlandia, Baskets) and DP Carl Herse (Black Monday, Kroll Show) to set the look on the Showtime comedy Moonbase 8, starring Fred Armisen, Tim Heidecker and John C. Reilly. The new six-part A24 comedy series follows three subpar astronauts living at NASA’s Moon Base Simulator with high hopes of being chosen to travel to the moon. Continue reading → November 24, 2020 The post Colorist Ricky Gausis Helps Set Look for Sho...
November 25, 2020, 01:28 PM
https://cuttingroomtales.wordpress.com/2020/11/24/...
Should we be defaulting to colour? ☛ During the first film on which I worked, I got chatting to an old-timer in the camera department who bemoaned the lack of black-and-white films being shot. “You’ve got to have a reason to shoot in colour,” he argued. I should add that this was in the ’90s […]
November 25, 2020, 01:27 PM
https://lappg.com/izotope-updates-vinyl/
Fan favorite free plug-in gets new features and look for its 20th Anniversary iZotope Inc., the experts in intelligent audio technology, has released an updated version Vinyl, a free vinyl simulation plug-in that was the first product ever offered by the company two decades ago. Released in 2001, Vinyl was the first of many iZotope […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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