It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 20, 2016, 12:25 PM
http://postperspective.com/review-tangent-ripple-c...
By Brady Betzel Lately, it feels like a lot of the specializations in post production are becoming generalized and given to the “editor.” One of the hats that the editor now wears is that of color corrector — I’m not saying we are tasked with color grading an entire film, Continue reading →October 20, 2016
October 17, 2016, 05:52 AM
http://www.redsharknews.com/post/item/3866-color-f...
RedShark Review: Ned Soltz takes Denver Riddle’s ACES-compatible $149 Color Finale Pro for a spin and is impressed with what he finds. Color Finale ProXRite Color Checker Passport VideoGradingFCP XColor Correction
October 12, 2016, 04:58 PM
http://postperspective.com/the-color-and-sound-of-...
The Get Down, Baz Luhrmann’s new series for Netflix, tells the story of the birth of hip-hop in late 1970s in New York’s South Bronx. The show depicts a colorful world filled with colorful characters, all pulsating to the rhythms of an emerging musical form. Shot on the Red Dragon and Weapon in 6K, Continue reading →October 12, 2016
October 12, 2016, 05:08 AM
https://library.creativecow.net/gleissenber_tobias...
Color correction and color grading are essential if you want your video to look professional. Since your video will likely be watched on many different devices with many different screens, chances are it will look slightly different to everyone.
October 5, 2016, 05:52 AM
http://www.fcp.co/final-cut-pro/articles/1860-colo...
A big update to a very popular plugin. Denver Riddle from Color Grading Central has announced the launch of Color Finale Pro for Final Cut Pro X
October 4, 2016, 05:18 AM
http://cinescopophilia.com/use-luts-fcpx-casey-far...
Here’s a little guide on how to install and use FCPX LUT Utility to load your LUT of choice.
September 26, 2016, 07:19 AM
http://www.redsharknews.com/post/item/3819-coloris...
With the grand aim of building “a close alliance to promote both artistic pre-eminence and scientific achievement in the creative art of colour”, CSI made its debut at this year’s IBC Colorist Mixer. coloristColorist Society InternationalCSIDavinci ResolveBlackmagic DesignSAMSony
September 24, 2016, 08:09 AM
http://feedproxy.google.com/~r/industryhappenings/...
September 15, 2016, 09:26 AM
http://www.premiumbeat.com/blog/go-inside-professi...
Follow along as pro colorist Rob Bessette guides a tour of his color suite at Boston's Finish Post. Discover workflow secrets and explore a real-deal professional environment.
September 14, 2016, 05:34 AM
http://www.premiumbeat.com/blog/free-premiere-pro-...
Go Hollywood with over a dozen FREE Premiere Pro Lumetri looks! These free movie-inspired color grading presets will instantly add a dramatic look to your project.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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