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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

5 Color Illusions that Colorists should be familia

January 24, 2019, 10:43 AM

https://www.provideocoalition.com/5-color-illusion...

Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing enough to keep researchers busy in the foreseeable future. Their meaning would mainly depend on what kind of scientist you ask.

Technicolor welcomes colorists Andrew Francis and

December 10, 2018, 01:18 PM

https://postperspective.com/technicolor-welcomes-c...

Technicolor in Los Angeles will be beefing up its color department in January with the addition of colorists Andrew Francis and Trent Johnson. Francis joins Technicolor after spending the last three years building the digital intermediate department of Sixteen19 in New York. With recent credits that include Second Act, Night School, Continue reading → December 10, 2018 The post Technicolor welcomes colorists Andrew Francis and Trent Johnson appeared first on Randi Altman's postPerspective.

Efilm handles color finishing on Creed II

November 29, 2018, 07:13 AM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD — Director Steven Caple Jr’s sophomore feature Creed II (www.creedthemovie.com), from Metro Goldwyn Mayer Pictures and Warner Bros. Pictures, chronicles the next chapter of the Adonis Creed story. The film follows the young boxer’s life as he deals with a fearsome new opponent, his newfound fame, and his father Apollo’s legacy.  Creed II stars Michael B. Jordan and Sylvester Stallone. 

Mastering Color with Ollie Kenchington, A Definiti

November 2, 2018, 12:20 PM

https://www.newsshooter.com/2018/11/02/mastering-c...

MZed has just launched the new ‘Mastering Color‘ course with professional colorist, Ollie Kenchington. At over seven hours long, the course is designed to be a comprehensive guide for anyone looking to get a deeper understanding of color grading and how to apply that knowledge from the concept of a brief to final delivery.

Full Course on Color Grading by Ollie Kenchington

November 2, 2018, 04:59 AM

https://www.cinema5d.com/mastering-color-full-cour...

MZed has just released a new and extensive course on color grading by Ollie Kenchington. This new course is the follow-up to the highly acclaimed “Directing Color” course and aims to give a more in-depth perspective on a colorist’s actual work. Here’s what you need to know.

Cinema Grade for Premiere Pro

October 25, 2018, 08:52 AM

https://www.premierebro.com/blog/cinema-grade-mode...

Cinema Grade Brings DirectGrade, Step-By-Step Guided Grading, And Hollywood Film Looks To Premiere Pro. Cinema Grade is an all-new color grading application by Color Grading Central. In this post, you will learn how Cinema Grade can accelerate your color grading workflow and help you achieve cinematic results in Premiere Pro.

#adobe#color grading#premiere pro#premiere#cinema grade
Grading Similes

October 20, 2018, 06:50 AM

http://vanhurkman.com/wordpress/?p=3796

A LUT is like a music loop or sample within a song, it can contribute to a grade, but it shouldn’t BE the grade. Automatic correction is like autotune, it can solve problems, but it shouldn’t be the main flavor of your grade. Plugins are like audio effects, a bit can give music texture, but too much makes it look like you’re concealing problems.

Incolor Uses DaVinci Resolve Advanced Panel for Re

October 3, 2018, 06:23 AM

https://news.creativecow.net/story/894422

(Fremont, CA--October 2, 2018) Blackmagic Design announced today that Japanese post house Incolor installed DaVinci Resolve Advanced Panel and DaVinci Resolve Studio. Incolor, founded in 2015 by prominent photographer Shoji Uchida, specializes in remote grading by foreign colorists for commercials and music videos.

Resolve Mini Panel Used for Grading RUMOR WOMAN

September 24, 2018, 12:46 PM

https://news.creativecow.net/story/894330

(Fremont, CA--September 19, 2018) Blackmagic Design announced today that DaVinci Resolve Studio and DaVinci Resolve Mini Panel were used for the color grading of BS Japan's popular drama series "Rumor Woman.”

Behind the Title: Carbon senior colorist Julien Bi

September 7, 2018, 12:46 PM

https://postperspective.com/behind-title-carbon-se...

NAME: Julien Biard COMPANY: Carbon in Chicago CAN YOU DESCRIBE YOUR COMPANY? Carbon is a full-service creative studio specializing in design, color, visual effects and motion graphics, with offices in Chicago, Los Angeles and New York. WHAT’S YOUR JOB TITLE? Continue reading → September 7, 2018 The post Behind the Title: Carbon senior colorist Julien Biard appeared first on Randi Altman's postPerspective.

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