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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Chat: Nice Shoes’ Maria Carretero on Su

February 15, 2020, 02:47 PM

https://postperspective.com/colorist-chat-nice-sho...

This New York based colorist, who worked on four Super Bowl spots this year, talks workflow, inspiration and more. Name: Maria Carretero Company: Nice Shoes What kind of services does Nice Shoes offer? Nice Shoes is a creative studio with color, Continue reading → February 14, 2020 The post Colorist Chat: Nice Shoes’ Maria Carretero on Super Bowl ads, more appeared first on postPerspective.

Color-Matching Footage from Different Cameras in P

February 4, 2020, 02:05 PM

https://www.premiumbeat.com/blog/color-matching-fo...

In this video tutorial, we go over how you can color-match the profiles of a GoPro, an a7III, a cellphone, and a Mavic 2 Pro.

How to do basic grading: Secondary colour correcti

February 3, 2020, 01:27 PM

https://www.redsharknews.com/tutorials/item/6950-h...

Our previous article showed the basics of creating a primary colour correction and why primary colour correction is essential for an outstanding final grade. Our next step is to apply secondary colour correction. Secondary colour correction is essentially the selection and changing of a single colour within the picture without altering anything else or disturbing the general look we want to create.  Colour CorrectionColour GradingDavinci ResolveBlake Jones

Colorist Chat: Light Iron supervising colorist Ian

January 30, 2020, 01:58 PM

https://postperspective.com/colorist-chat-light-ir...

“As colorists, we are not just responsible for enhancing each individual shot based on the vision of the filmmakers, but also for helping to visually construct an emotional arc over time.” NAME: Ian Vertovec TITLE: Supervising Colorist COMPANY: Light Iron CAN YOU DESCRIBE YOUR ROLE IN THE COMPANY? Continue reading → January 27, 2020 The post Colorist Chat: Light Iron supervising colorist Ian Vertovec appeared first on postPerspective.

Advanced Colour Grading in Final Cut Pro X With Co

January 6, 2020, 01:34 AM

http://www.fcp.co/final-cut-pro/articles/2234-adva...

We all know FCPX now has colour wheels and curves, but what about doing more advanced colour corrections? How about a plugin that can track masks, use ACES colour spaces and add film grain? Oliver Peters takes a look a the new Colour Finale 2.

Colorfront’s Express Dailies 2020 for Mac Pro, n

December 12, 2019, 02:07 PM

https://postperspective.com/colorfronts-express-da...

Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront announced a new, annual rental model for Colorfront Express Dailies. Launching in Q1 2020, Colorfront’s subscription service allows users to rent Express Dailies 2020 for an annual fee of $5,000, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, Continue reading → December 11, 2019 The post Colorfront’s Express Dailies 2020 for Mac ...

Learn precisely how to colour grade in this compre

December 7, 2019, 03:08 PM

https://www.redsharknews.com/tutorials/item/6838-l...

Blake Jones has been working as a colorist and film restoration specialist for over 27 years. Here, in the first part of a tutorial series, Blake lifts the mysteries behind colour grading, and precisely how to do it. In this part he looks at primary colour correction, which will form the basis of all your subsequent picture adjustments. Colour GradingScopegamma curve

Colour is still incredibly important... even if yo

December 6, 2019, 02:07 PM

https://www.redsharknews.com/production/item/6827-...

If you are shooting for a monochrome look, you'd do well to pay attention to how colours are represented. MonochromeThe LighthouseBlack and whiteorthochromatic

Deluxe NY adds color to Mister Rogers biopic

November 28, 2019, 02:03 PM

https://postperspective.com/deluxe-ny-adds-color-t...

A Beautiful Day in the Neighborhood stars Tom Hanks as children’s television icon Fred Rogers in a story about kindness triumphing over cynicism. Inspired by the article “Can You Say…Hero?” by journalist Tom Junod, the film is directed by Marielle Heller. The cinematographer Jody Lee Lipes worked on the color finishing with Deluxe New York’s Sam Daley. Continue reading → November 26, 2019 The post Deluxe NY adds color to Mister Rogers biopic appeared first on postPerspective.

Cafe Society colorist Anthony Raffaele joins Sim

November 22, 2019, 02:00 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Veteran colorist Anthony Raffaele, whose work includes Café Society, Mapplethorpe and  Fahrenheit 11/9, has joined the finishing staff at Sim, New York (siminternational.com). With credits that spread across features, episodic television and high-end documentaries, Raffaele brings both versatility and experience to his position at Sim, along with established relationships with top filmmakers and cinematographers.  

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