It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 15, 2020, 12:32 PM
https://www.premiumbeat.com/blog/pathos-logos-etho...
Leading your audience to a particular conclusion is an art unto itself — a classical art, at that. Here's how understanding pathos, logos, and ethos will improve ...
October 15, 2020, 12:31 PM
https://postperspective.com/working-in-hdr-editing...
Adobe Premiere Pro now supports editing HDR content. Technically, HDR has been supported in Premiere Pro since 2015, but only if you were using OpenEXR frame sequences and with other severe limitations. This release finally includes a fully developed workflow for editing and finishing projects in HDR. The most important piece of that puzzle is that image processing is no longer only being computed in the Rec.709 color space. Continue reading → October 14, 2020 The post Working in HD...
October 15, 2020, 12:31 PM
https://postperspective.com/vfx-supervisor-tobey-l...
Creative studio Carbon has hired VFX supervisor Tobey Lindback, who brings with him two decades of experience working in visual effects. Lindback was most recently VFX supervisor at MPC. Prior to that he was lead Nuke artist at Psyop and The Mill. He has led creative work for Audi, Budweiser, Continue reading → October 14, 2020 The post VFX Supervisor Tobey Lindback Joins Carbon in NYC appeared first on postPerspective.
October 15, 2020, 12:31 PM
https://journaldunemonteuse.wordpress.com/2020/10/...
Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 « Le documentariste doit être comme les peintres. Il doit créer quelque chose, par le regard, mais pas seulement. C’est quelque chose qui est en toi et qui vient … Lire la suite →
October 14, 2020, 12:31 PM
https://www.youtube.com/watch?v=NJSwQOrf10w
I am Daysha Broadway. I am a television editor. I am Avid. Hear from creators like you ▶️ https://www.avid.com Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
October 14, 2020, 12:31 PM
https://www.productionhub.com/blog/post/top-3-reas...
The power of animation comes from its limitless ability to make complex ideas come to life which anyone can understand. Many assume that animation is too expensive to produce. A high-end commercial in the style of a Pixar movie can cost millions, but for companies with limited budgets there are many creative solutions that allow us to produce affordable animation with the help of technology and experience. From digital puppet shows to white board animations, and automated lip syncing, budget...
October 14, 2020, 12:30 PM
https://www.fcp.co/final-cut-pro/articles/2318-two...
One of the moans from people about Final Cut Pro X is the handing off of audio to a DAW for finishing. They haven't realised that FCPX has one of the smoothest tools available for getting an AFF into an audio session! These two filmmakers talk about the benefits of X2Pro to their workflow.
October 13, 2020, 12:31 PM
https://www.premiumbeat.com/blog/computer-benchmar...
Take a look at some free computer benchmark tests that are ideal for video editors. This is invaluable for when you build your next video editing computer.
October 13, 2020, 12:30 PM
https://www.fcp.co/final-cut-pro/news/2319-first-s...
We have just had an email from FMC with an update including the announcement of the first speakers for the online conference. This year's FCPX Global Virtual Summit looks like it will again have a high quality set of sessions during the week.
October 13, 2020, 12:29 PM
https://www.provideocoalition.com/after-effects-cl...
A classic visual effects job is to place a place one planar object (such as a new sign, a video screen, etc.) onto another planar object (such as a wall, a laptop, a cell phone, etc.) while either the camera, the target object, or both are moving. This requires some form of tracking. In the [...]Read More...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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