It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 10, 2020, 02:11 PM
https://digitalfilms.wordpress.com/2020/10/09/colo...
Remote workflows didn’t start with COVID, but that certainly drove the need home for many. While editing collaboration at a distance can be a challenge, it’s a far simpler prospect than remote color grading. That’s often a very interactive process that happens on premises between a colorist and a client, director, or cinematographer. Established high-end […]
October 10, 2020, 02:11 PM
https://ericbrodeur.com/haunting-of-the-mary-celes...
Supernatural thriller film HAUNTING OF THE MARY CELESTE is slated for a release on demand and on digital, October 23 via Vertical Entertainment. Emily Swallow (“Mandalorian,” “Supernatural”), Richard Roundtree (Shaft), Alice Hunter (“DC’s Legends of Tomorrow”), Dominic Devore (“P-Valley”), Pierre Adeli, and Ava Acres (Free Ride) star. HAUNTING OF THE MARY CELESTE is directed by […]
October 9, 2020, 01:23 PM
https://www.provideocoalition.com/bodyless-a-surre...
Bodyless is a surreal VR experience that is free to watch on Steam platform until October 15, 2020. Created by director Hsin-Chien Huang, it’s an excellent example of Virtual Reality storytelling. Based on the director’s childhood memory during Taiwan’s martial law period in the 1970s, Bodyless is a surreal VR experience in which the player [...]Read More...
October 7, 2020, 03:39 PM
https://www.premiumbeat.com/blog/video-editing-101...
Let's look at how you can edit an entire video from the moment you import footage till the moment you start the exporting process. Start editing right ...
October 7, 2020, 03:39 PM
https://www.premiumbeat.com/blog/watercolor-painti...
Learn how to make your video footage and images look like a watercolor painting. This After Effects tutorial includes a free preset. Dive in!
October 7, 2020, 03:35 PM
https://newbluefx.com/blog/how-data-powers-broadca...
There are numerous methods for automatically converting raw data into digital on-screen graphics, and this post will show you how. Gone are the days of live on-screen graphics being reserved for high budget TV stations. Nowadays it’s possible for anyone to display live-data graphics to their audience using publicly available software. This blog will The post How to Power Streaming and Broadcast Graphics with Data appeared first on NewBlue.
October 7, 2020, 03:34 PM
https://www.fcp.co/final-cut-pro/news/2315-fcp-co-...
On Tuesday the 6th of October, we welcome Larry O’Connor, CEO and Founder of OWC for our FCP.co Live Thunderbolt 4 special. What is it? What does it do and why is it better than Thunderbolt 3?
October 6, 2020, 12:51 PM
https://roosterpost.wordpress.com/2020/10/05/after...
Director Anton Josef and editor Dave De Carlo unmask a real-life superhero in the short documentary 𝘈𝘍𝘛𝘌𝘙𝘔𝘈𝘚𝘒. Shot with an ambitious and tiny crew, it tells the story of how AJ Apone used his skills in Hollywood prosthetics to make life-saving masks amid the Covid-19 pandemic. Using 3D printers, he figured out how to create […]
October 5, 2020, 11:57 AM
https://www.provideocoalition.com/hooke-audio-anno...
Hooke Audio, maker of the Hooke Verse hardware and software I reviewed in July 2019, has announced Hooke Lav. Unlike some manufacturers and developers who still keep getting it wrong, Hooke Lav fortunately get’s it right by embracing our absolute standard 48 kHz audio sampling. Beyond that, it uses 24-bit resolution (ideal in production, even [...]Read More...
October 4, 2020, 12:08 PM
https://www.provideocoalition.com/creating-visual-...
Epic Games commissioned artist and director FILFURY and his team at The Mill to create Unreal for All Creators. The experience changed his outlook on the future of visual effects creation. Find out why. Built as a game engine, Unreal Engine provided game developers with the tools to craft absorbing interactive entertainment in real-time. When [...]Read More...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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