It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 25, 2022, 08:36 AM
https://www.premiumbeat.com/blog/free-premiere-pro...
Create that cinematic look with these movie-inspired color grading presets to use for your next video project.
March 25, 2022, 08:35 AM
https://www.provideocoalition.com/editors-on-editi...
Welcome to another episode of Editors on Editing. This week, Glenn talks with editors William Hoy, ACE & Tyler Nelson about “The Batman.” William has a long list of editing credits including “Dawn of the Planet of the Apes”, “Watchmen”, and “I, Robot.” Tyler has rocketed onto the scene having worked on films like “Gone [...]Read More... from Editors on Editing w/ “The Batman” Editor William Hoy, ACE & Tyler Nelson
March 25, 2022, 08:34 AM
https://beforesandafters.com/2022/03/25/how-dune-v...
Paul Lambert, now a two time Oscar-winning visual effects supervisor for Blade Runner 2049 and First Man, and also nominated this year for an Academy Award for Dune, was working as a compositor at Digital Domain in Los Angeles back in 2004 when he somewhat cavalierly suggested the development of a new keyer for the studio’s groundbreaking compositing system, Nuke.
March 25, 2022, 08:34 AM
https://www.slashfilm.com/810320/quentin-tarantino...
The rise of digital effects has dramatically shifted how movies of all budget sizes get made. While a lot of the work effects artists have done is absolutely phenomenal, there are two areas where their limitations are most prevalent.
March 25, 2022, 08:33 AM
https://www.digitaltrends.com/movies/spider-man-no...
Marvel’s friendly, neighborhood webslinger returned to the big screen in a big way with Spider-Man: No Way Home, franchise star Tom Holland’s third solo adventure as the titular superhero and the biggest film to date for Peter Parker’s corner of the Marvel Cinematic Universe.
March 24, 2022, 08:26 AM
https://www.premiumbeat.com/blog/cut-clips-premier...
In this walkthrough, we'll cover how to use the razor tool, the ctrl+K/⌘+K shortcut, and Ripple and Trim editing techniques in Premiere Pro.
March 24, 2022, 08:25 AM
https://www.premiumbeat.com/blog/bring-your-storyb...
Let’s go over some tips and tricks for turning your rough sketches into practical and helpful guides that you can creatively follow.
March 24, 2022, 08:25 AM
https://postperspective.com/audio-post-the-oscar-n...
By Iain Blair When veteran director and producer Steven Spielberg took on the challenge of reimagining West Side Story, it paved the way for several new firsts in his long and storied career. This was his first musical, and it earned him his eighth Best Directing Oscar nomination — making him the first person to get a nom in the directing category in six consecutive decades. Continue reading → March 23, 2022 The post Audio Post: The Oscar-Nominated Sound of West Side Story appeared fi...
March 24, 2022, 08:25 AM
https://www.redsharknews.com/how-virtual-studios-t...
From obvious gimmick to slick, seamless ubiquity, the rise of virtual studios has been impressively rapid.
March 24, 2022, 08:24 AM
https://beforesandafters.com/2022/03/24/vfx-notes-...
Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters show off their spidey senses in a breakdown of the VFX in Spider-Man: No Way Home. We cover in particular the work by Digital Domain, Framestore and Imageworks, overseen by VFX supe Kelly Port.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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