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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Harbor crafts color and sound for The Lighthouse

November 7, 2019, 01:58 PM

https://postperspective.com/harbor-crafts-color-an...

By Jennifer Walden Director Robert Eggers’s The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film and hit theaters in late October. Continue reading → November 5, 2019 The post Harbor crafts color and sound for The Lighthouse appeared...

Color Chat: Light Iron’s Corinne Bogdanowicz

October 31, 2019, 12:49 PM

https://postperspective.com/color-chat-light-irons...

Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation. Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading → October 30, 2019 The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...

Inside "Ad Astra" with Colorist Greg Fisher

September 27, 2019, 12:51 PM

https://www.productionhub.com/blog/post/inside-ad-...

Ad Astra tells the thrilling story of Roy McBride (Brad Pitt), a man on a mission across an unforgiving solar system to uncover the truth about his missing father and his doomed expedition that now, 30 years later, threatens the universe. We spoke with Colorist Greg Fisher about working with cinematographer Hoyte Van Hoytema, ASC and using Blackmagic Design's DaVinci Resolve to achieve the film's unique look.

Q&A: Colorist Jérôme Cloutier on Xavier Dolan’

August 27, 2019, 06:48 AM

https://www.studiodaily.com/2019/08/colorist-jerom...

A well-established Canadian colorist, Jérôme Cloutier started his career as a Flame artist working in advertising before moving to color-grading at an advertising post house in Montreal. The post Q&A: Colorist Jérôme Cloutier on Xavier Dolan’s Cannes Competitor Matthias and Maxime and More appeared first on Studio Daily.

Meet the Colorist: Jérôme Cloutier, Mels, Montre

August 27, 2019, 06:47 AM

https://www.studiodaily.com/2019/08/meet-colorist-...

A well-established Canadian colorist, Jérôme Cloutier started his career as a Flame artist working in advertising before moving to color-grading at an advertising post house in Montreal. The post Meet the Colorist: Jérôme Cloutier, Mels, Montreal appeared first on Studio Daily.

FilmLight offering free Color On Stage seminar at

August 20, 2019, 05:57 AM

https://postperspective.com/filmlight-offering-fre...

At this year’s IBC, FilmLight is hosting the free two-day seminar series, Color On Stage, on September 14 and 15. The event features live presentations and discussions with colorists and other creative professionals. The event will cover the role of the colorist today to understanding color management and next generation grading tools. “Color on Stage offers a good platform to hear about real-world interaction between colorists, Continue reading → August 19, 2019 The post FilmLight ...

How Scientists Colorize Photos of Space

August 5, 2019, 08:50 AM

https://www.studiodaily.com/2019/08/scientists-col...

Ever wonder about the process used to synthesize those amazing colors in photographs taken of deep space? Vox explains how different techniques are used to assign vivid hues representing both visible and “invisible” light to images captured by the Hubble Space Telescope. The post How Scientists Colorize Photos of Space appeared first on Studio Daily.

After Effects Classic Course: Colorama 3 – Color

July 29, 2019, 10:11 AM

https://www.provideocoalition.com/after-effects-cl...

One of the main reasons behind the creation of Colorama is to perform what’s known as “color cycling” effects. Although often associated with psychedelic animations, it’s actually an old-school technique often used in video games to add the appearance of animation to a portion of a still image such as water or the sky. Here’s... The post After Effects Classic Course: Colorama 3 – Color Cycling appeared first on ProVideo Coalition.

PixelTools: powerful time-saving presets for DaVin

July 19, 2019, 02:08 PM

https://www.claytonasbury.com/blog/pixeltools-colo...

We all want to save time when color grading in Davinci Resolve and PixelTools PowerGrades Collection lets you create unique and adjustable looks quickly.

#color grading#davinci resolve#post production#filmmaking
Colorist Gregory Reese joins a52 Color team

July 18, 2019, 05:50 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Gregory Reese has joined the recently-established, stand-alone grading and finishing studio a52 Color (www.a52.com/color). Reese established a name for himself over the course of eight years as a colorist at The Mill. He has colored a spectrum of commercials for athletic brands, including Nike and Reebok, as well as campaigns for Audi, Apple, CoverGirl, GMC, Progressive and Samsung. 

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