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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How To Color Grade A Perfectly Cinematic B/W

August 9, 2016, 04:48 PM

http://noamkroll.com/how-to-color-grade-a-perfectl...

There’s a big misconception that color grading black and white projects is easier than grading in full color. While in some respects, grading in color does add an additional layer of complexity, achieving a filmic B & W look can be just as complex for different reasons.

Interview With Terry Curren: Color Correcting Opti

August 9, 2016, 05:21 AM

http://www.digimediapros.com/interview-with-terry-...

In this episode, Terry Curren, owner of Alpha Dogs, filmmaker and colorist, gives us a great overview of color correcting, color grading, tips on how to have a good post for color correcting, production tips, plus much more.

Developing An Awareness of Color

July 27, 2016, 04:03 PM

http://www.provideocoalition.com/developing-awaren...

Color awareness came slowly to me, but now I can’t escape it. Read on, and follow me down the rabbit hole. This article started out as an analysis of how different cameras see color, but evolved into something more. First I’m going to talk about color perception and the basics of learning how to see The post Developing An Awareness of Color appeared first on ProVideo Coalition.

Colour Grading LUT Basics Tutorial from Casey Fari

July 26, 2016, 04:49 PM

http://cinescopophilia.com/colour-grading-lut-basi...

Casey Faris explains for beginners and novices alike just how to use LUTs in the Resolve 12.5 and Premiere CC 2015 software programmes.

The Tangent Ripple: Does It Live Up to the Hype?

July 13, 2016, 09:16 AM

http://www.premiumbeat.com/blog/the-tangent-ripple...

The Tangent Ripple Color Grading Surface is one of the most anticipated devices of 2016 — and now the user reviews are pouring in. So, what's the word?

I’m Judging For This Year’s FilmConvert Color

October 20, 2015, 12:33 PM

http://noamkroll.com/im-judging-for-this-years-fil...

As many of you know, I am a huge fan of FilmConvert and have been using it as my primary film stock emulation tool since it was first released. In fact one of the very first articles on this blog (way back when) was centered around it’s release, so naturally I was excited when the FC team asked me to judge for this year’s competition – “Color Up 2015″

A Colorist's Take on High Dynamic Range

October 19, 2015, 04:37 PM

http://www.creativeplanetnetwork.com/news/post/col...

Colorist Bryan McMahan talks to Digital Media World about his experiences grading high dynamic range video.

How to Generate Easy LUTs in Photoshop

October 19, 2015, 09:44 AM

http://www.premiumbeat.com/blog/how-to-generate-ea...

Lookup tables are one of the most useful tools for editors, colorists, and DPs alike. Here’s how you can generate LUTs in Photoshop in a pinch.

Nice Shoes and Editbar Unite Color Grading and Edi

October 19, 2015, 09:44 AM

http://www.btlnews.com/crafts/post-production/nice...

Nice Shoes and Editbar have partnered to offer Nice Shoes’ color grading services to Boston-area clients. Editbar’s creative editors are now directly connected to colorists in New York, Chicago and Minneapolis via Nice Shoes’ proprietary remote services technology. The post Nice Shoes and Editbar Unite Color Grading and Editorial Talents In Boston appeared first on Below the Line.

DaVinci Resolve Studio Joins The Mythbusters For V

October 19, 2015, 09:42 AM

http://news.doddleme.com/blogs/post-production/dav...

Seems like everyone is getting into Virtual Reality these days, or at least that’s the myth. So who better to look to than the Mythbusters? And it looks like even they are getting on the virtual reality bandwagon, and they’re using Blackmagic’s DaVinci Resolve Studio to do it.

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