It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 26, 2018, 12:45 PM
http://postperspective.com/color-film-process-help...
By Karen Maierhofer Just as with episodic series, making the right color choices can greatly impact a film and its storytelling. While the look and mood of a project is set by the director and DP, colorists face creative decisions while delivering those desired results, even when nature or other factors prevent it from being captured on set. Continue reading → June 26, 2018 The post Color for Feature Films appeared first on Randi Altman's postPerspective.
June 26, 2018, 08:57 AM
http://postperspective.com/colorist-arianna-shinin...
Santa Monica-based color and finishing boutique Apache has added colorist Arianna Shining Star to its roster at this Santa Monica color and finishing boutique. She is the studio’s first woman colorist. Star’s commercial work includes spots and branded shorts for Apple, Nike, Porsche, Budweiser, Tommy Hilfiger, Spotify and Coca-Cola. Continue reading → June 26, 2018 The post Colorist Arianna Shining Star joins Apache appeared first on Randi Altman's postPerspective.
April 13, 2018, 05:03 AM
http://postperspective.com/colorfront-nab-new-prod...
Colorfront released new products and updated current product support as part of NAB 2018, expanding their partnership with AJA. Both companies had demos of the new HDR Image Analyzer for UHD, HDR and WCG analysis. It can handle 4K, HDR, and 60 fps in realtime, and shows information in various view modes including parade, Continue reading → April 12, 2018 The post Colorfront at NAB: new products, software updates, more appeared first on Randi Altman's postPerspective.
April 4, 2018, 05:18 AM
http://www.studiodaily.com/2018/04/adobe-ai-color-...
On the eve of NAB 2018, Adobe released the latest raft of improvements to its Creative Cloud suite of tools, including new features aimed at helping Premiere Pro editors dial in looks more quickly with its built-in Lumetri color cools. Other new features include welcome tweaks to the Essential Graphics panel that should make it easier […] The post Adobe’s Pre-NAB Reveal Includes AI-Driven Color Matching, Improved Motion Graphics Workflow appeared first on Studio Daily.
April 4, 2018, 05:15 AM
https://www.provideocoalition.com/term-week-chroma...
In the digital age, so much of what we deal with in video is based on legacy baggage from the analog era of the twentieth century. Learn in this week’s animated glossary entry what chroma actually means, where it came from and why it still matters today.
February 20, 2018, 05:50 PM
http://postperspective.com/behind-title-mti-senior...
NAME: Trent Johnson COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development. AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 20, 2018 The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.
February 14, 2018, 10:21 AM
http://postperspective.com/behind-title-encore-rya...
NAME: Kevin Kirwan COMPANY: Encore Hollywood CAN YOU DESCRIBE YOUR COMPANY? Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment. JOB TITLE: Colorist WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 14, 2018 The post Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan appeared first on Randi Altman's postPerspective.
August 30, 2017, 07:25 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MADRID, SPAIN — SGO (www.sgo.es), developer of the Mistika post production system, has announced its certification for Atto Technology 12Gb ExpressSAS host bus adapters (HBAs) with its high-end post production hero suite, Mistika Ultima. This new addition will help post production teams better manage large data transfers and offer support for realtime editing of uncompressed 4K video.
August 23, 2017, 09:19 AM
http://alex4d.com/notes/item/adobe-discontinues-sp...
Will all Adobe video applications end up as panels in Adobe Premiere? Adobe doesn't see the need to make an application dedicated to the colour grading process any more. Adobe have announced that they are discontinuing their Speedgrade colour grading application: Producing a separate application for color grading was born out of necessity some 35 years ago – it was never a desirable split from a creative perspective. I don’t think audio post people would say the same about pict...
June 23, 2017, 06:23 AM
http://theangryvideoguy.com/index.php/2017/06/23/p...
Designed around the new RED IPP2 pipeline, it includes 103 3D LUTs for use in post and in camera (cameras with IPP2 support). You can use these LUTs in REDCINE-X regardless of color science used but they are intended to be applied to footage using the REDWideGamutRGB color and LOG3G10 gamma.
#color grading#red#color correction#luts#ipp2#phil hollandDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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