It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 7, 2013, 09:52 AM
http://provideocoalition.com/news/story/scratch-th...
The invite to the October 1st and October 3rd SCRATCH User Group events in New York and Los Angeles, respectively, claim you can come to see how “SCRATCH v8 blows away the limitations of location and proximity.” After watching the presentation that took place at Canon USA...
October 4, 2013, 06:38 PM
http://www.awn.com/articles/visual-effects/reverse...
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
September 25, 2013, 07:19 PM
http://library.creativecow.net/menick_stephen/King...
It wasn't the effects and it wasn't the cast that made 1933's King Kong the enduring classic that it is (though Fay Wray got a clear shot at immortality). It was the story. The story of a big lug with a soft spot a mile wide. Of a king who loses his kingdom and his life because he falls for a pretty little thing - falls long before he tumbles ...
September 5, 2013, 10:21 AM
http://www.studiodaily.com/2013/09/elliott-worleys...
How do you break into show business? It helps if your dad is a VFX whiz. Young Elliott Worley crossed The Lion King with his favorite superheroes to create the character of Super Lion; Dad Seth brought those designs to … more »
August 18, 2013, 09:00 AM
http://provideocoalition.com/dtorno/story/vfx-esse...
Hi and welcome to the new VFX Essentials channel. PVC has been very gracious enough to give me my very own piece of PVC to better organize and present my work to all of you. If you have been trying to find any of my old content on PVC or have been wanting to more easily keep track of...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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