To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
How to completely break the rules with colour
December 1, 2021, 08:28 AM
https://www.redsharknews.com/production/item/3155-...
RedShark Replay: Understand the basics, know how to calibrate and set white balance - and then you can break all the rules if you want to!
Fire at Sea: How to grade for documentary
November 19, 2021, 08:43 AM
https://www.redsharknews.com/post-vfx/item/4383-fi...
Replay: Colourist Andrea Orsini reveals the ways in which DI can craft nonfiction through his work on Oscar-nominated Fire at Sea.
Fashionterest
November 18, 2021, 11:15 AM
"FashionTerest.us brings real-world experts and The Oristiq publishers together. Our searchable database of hundreds of thousands of quality original articles, posted by Expert Authors & Writers, allows email newsletter publishers who are hungry for fresh content to find articles to include in their next newsletter (up to 25 articles per year per our Publisher TOS)."
#fashionterest#fashion#fashion terest#shopping#clothing#clothLuxury Homies
November 18, 2021, 11:14 AM
https://www.luxuryhomies.co.uk/
"LuxuryHomies.co.uk brings real-world experts and The Oristiq publishers together. Our searchable database of hundreds of thousands of quality original articles, posted by Expert Authors & Writers, allows email newsletter publishers who are hungry for fresh content to find articles to include in their next newsletter (up to 25 articles per year per our Publisher TOS)."
#home#luxuryhomies#homies#luxury homes#luxuryfylmai AI Color Grading in the Cloud Released
November 9, 2021, 08:32 AM
https://www.cined.com/fylm-ai-ai-color-grading-in-...
Finally out of beta, fylm.ai is a cloud-based color grading platform that uses deep learning algorithms to enhance the look of your footage. Experienced colorists, independent filmmakers, and beginners can quickly and easily design, collaborate, and finish their projects all inside of their browsers. This ACES color-managed system simplifies the process and gives everyone the tools they need to take their work to the next level.
Colorist James Bamford appointed creative director at Rascal Post
November 2, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Colorist James Bamford (www.rascalpost.com) has joined Rascal Post as creative director, following an 18-year tenure at The Mill London, where he was most recently head of color. Bamford has worked with a number of top directors, including Matthew Vaughn, Oscar Hudson, Taika Waititi and Nicolai Fuglsig. His portfolio includes Volvo’s Epic Split, John Lewis’ The Man on the Moon and Coca Cola’s 2020 Christmas ad The Letter. He has also collaborated with brands such as Play...
Colorist Chat: Italy-Based Marco Valerio Caminiti
November 2, 2021, 08:38 AM
https://postperspective.com/colorist-chat-italy-ba...
Marco Valerio Caminiti is a colorist at Rome-based Frame by Frame, a boutique offering post production, CGI, VFX, color grading, editing, sound design, mastering and delivery. Caminiti joined Frame by Frame in the role of senior colorist in early October, coming from WB De Lan Lea, where he was a dailies operator position at WB De Lane Lea while at the same time honing his skills working as a freelance colorist. Continue reading → November 1, 2021 The post Colorist Chat: Italy-Based Marco Vale...
Tools and Training for Professional Film Colorists
October 16, 2021, 11:32 AM
https://jonnyelwyn.co.uk/film-and-video-editing/to...
Professional color grading tools and training for film colorists reviewed and explained with discounts and free downloads! The post Tools and Training for Professional Film Colorists first appeared on Jonny Elwyn - Film Editor.
Here are some essential tips for setting up your grading room
September 19, 2021, 11:10 AM
https://www.redsharknews.com/post-vfx/item/7098-he...
Replay: Setting up a grading room is a bit more involved than installing a desk and a few monitors. To do it effectively requires a bit more thought. Here's some valuable advice from experienced colourist Blake Jones on what you should be doing.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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