Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

4 Films Every Colorists Should See from Filmmaker

July 17, 2019, 09:56 AM

http://manhattaneditworkshop.blogspot.com/2019/07/...

 4 FILMS EVERY COLORIST SHOULD SEE (Courtesy of Filmmaker U Blog - go to https://bit.ly/2XUKur4)Mad Max: Fury Road is continuously referred to as a stunningly beautiful film. John Seale, the cinematographer, was nominated for an Oscar and colorists everywhere were looking at Eric Whipp’s work on the film as a triumph for color correction. With so many people looking to Eric’s work as a colorist for inspiration, we decided to ask him what films he feels every colorist must-see.  Aft...

a52 Color adds colorist Gregory Reese

July 16, 2019, 12:26 PM

https://postperspective.com/a52-color-adds-coloris...

Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue. Reese comes to a52d Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading → July 16, 2019 The post a52 Color adds colorist Gregory Reese appeared first on postPerspective.

Colorist Chat: The Refinery’s Kyle Stroebel

July 15, 2019, 12:33 PM

https://postperspective.com/colorist-chat-the-refi...

This Cape Town, South African-based artist says that “working creatively with a director and DP to create art is a privilege.” NAME: Colorist Kyle Stroebel COMPANY: The Refinery in Cape Town, South Africa CAN YOU DESCRIBE YOUR COMPANY? We are a full-service post company in the heart of Cape Town. Continue reading → July 15, 2019 The post Colorist Chat: The Refinery’s Kyle Stroebel appeared first on postPerspective.

Gregory Reese Joins a52 Color

July 13, 2019, 08:27 AM

https://www.studiodaily.com/2019/07/gregory-reese-...

Gregory Reese has become the newest colorist on the roster at Santa Monica’s a52 Color. Reese arrives at a52 after working as a colorist at The Mill for eight years, spending some of that time with a52 Color Executive Producer Thatcher Peterson, also a veteran of The Mill. His resume includes commercial credits for brands […] The post Gregory Reese Joins a52 Color appeared first on Studio Daily.

Veteran episodic colorist Scott Klein joins Light

July 9, 2019, 09:33 AM

https://postperspective.com/veteran-episodic-color...

Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at their Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series. “While Light Iron was historically known for its capabilities with feature films, Continue reading → July 9, 2019 The post Veteran episodic colorist Scott Klein joins Light Iron appeared first on postPerspective.

MPC bolsters color team with recent addition

June 18, 2019, 06:17 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Moving Picture Company (www.moving-picture.com) has bolstered its color team via the recent arrival of Yoomin Lee. A leading colorist, she cut her teeth working for some of Australia’s top post houses, including Frame, Set & Match, The Lab and Cutting Edge, before joining Jogger Studios London in 2016.  

Mistika Workflows: Media Management, Transcoding a

June 15, 2019, 11:37 AM

https://www.provideocoalition.com/mistika-workflow...

SGO pre-releases Mistika Workflows, its first dedicated Media Management, Transcoding and Delivery software solution. The open beta phase is open to everyone who wants to test-drive it. Aware that the demand for highly efficient content production is greater than ever before, with new delivery standards becoming a requirement, especially from the increasing number of on-demand... The post Mistika Workflows: Media Management, Transcoding and Delivery in a single app appeared first on ProVide...

Behind the Title: DigitalFilm Tree colorist Patric

June 6, 2019, 04:28 AM

https://postperspective.com/behind-the-title-digit...

This colorist, who works on episodic TV series, says, “There are so many talented colorists and photographers on Instagram. It’s where I get my daily inspiration.” NAME: Patrick Woodard COMPANY: DigitalFilm Tree (@digitalfilmtree) CAN YOU DESCRIBE YOUR COMPANY? Continue reading → June 5, 2019 The post Behind the Title: DigitalFilm Tree colorist Patrick Woodard appeared first on postPerspective.

Behind the Title: Editor and colorist Grace Novak

May 23, 2019, 08:18 AM

https://postperspective.com/behind-the-title-edito...

NAME: New York-based Grace Novak WHAT’S YOUR JOB TITLE? Editor and Colorist WHAT DOES THAT ENTAIL? I work with directors/clients to make their project come to life using an editing program. Then during the color process, I bring it even closer to their aesthetic vision. Continue reading → May 22, 2019 The post Behind the Title: Editor and colorist Grace Novak appeared first on postPerspective.

A52 Ups Its Color Game with Paul Yacono, Daniel de

May 17, 2019, 08:03 PM

https://www.studiodaily.com/2019/05/a52-ups-color-...

In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […] The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.

1 18 19 20 21 22 103

© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.