It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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The recent release of the Mac Studio has everyone in the video editing world wondering about Final Cut Pro, when and where we might get an update. Other Apple Pro Apps got an update but Final Cut Pro was conspicuously absent over the last week of the big Mac Studio launch. But it wasn’t all [...]Read More... from Dupe Detection is coming to Final Cut Pro and this is how it works
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Flee, an animated feature film by Jonas Poher Rasmussen, is about a man (Amir) recounting his experience being forced to flee Afghanistan while also struggling with his sexuality. The film is a fascinating and poignant work that fuses documentary, animation, and archival footage over very distinct segments that shift between Amir’s present as he recounts his story to a friend and the recreation of Amir’s past experiences.
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https://lappg.com/2022/03/18/adobe-renews-support-...
We are delighted to announce that Adobe Inc. will be continuing their annual sponsorship of the LAPPG in 2022. Their partnership this year will afford members special access to Frame.io, an innovative media collaboration platform acquired by Adobe this past fall. Adobe and Frame.io are joining forces to create the future of collaborative video workflows … Adobe renews support for LAPPG along with the Addition of recently acquired Frame.io Read More »
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https://americancinemaeditors.org/cut-daily-offer-...
This content is for members only
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Anyone who wants a laptop with a twenty-hour battery life, raise your right hand. And stop snickering, recent Macbook owners.
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https://postperspective.com/how-to-survive-post-pr...
By Robb Wagner In the late 1990s, I was a post supervisor/post production AD in charge of delivering hundreds of hours of network and cable shows every year until a major paradigm shift threw television editing on its head. It wasn’t an economic downturn or a global pandemic. It was a new genre called “reality.” The time it took to digitize the footage The lack of storage (hard drive) technology As a result, Continue reading → March 14, 2022 The post How to Survive Post Production Para...
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https://www.premiumbeat.com/blog/mac-for-creators/
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