To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
3 Most Common Mistakes Made By Amateur Colorists
September 15, 2015, 05:01 AM
https://www.rocketstock.com/blog/the-three-most-co...
It wasn’t that long ago that color correction was an extremely costly process that was reserved for high-end productions working with large post facilities. As time went on and the overall cost of software decreased, more and more filmmakers started to take the color process into their own hands — and I can’t blame them. After all, DaVinci Resolve can be had for free (one version, at least), SpeedGrade comes bundled with your Adobe subscription, and there are so many other options out ther...
PremiumGrades: 20 Free Color Grading Presets for A
September 14, 2015, 09:27 AM
http://www.premiumbeat.com/blog/premiumgrades-20-f...
Give your footage a distinct custom look with these free color grading presets for After Effects!
Blackmagic's DaVinci Resolve 12 Studio Beta Pt 2
September 1, 2015, 01:50 PM
http://news.doddleme.com/blogs/post-production/dod...
Blackmagic Design’s DaVinci Resolve 12 Beta is flexible enough to work in codecs from SD all the way to 4K. But can your computer handle what you want to edit? Let’s take a look at what machine you need to edit and grade in Resolve 12 Studio Beta. (See Part 1 here.)
Sam Daley on color grading HBO’s ‘Show Me a He
August 22, 2015, 06:36 AM
http://postperspective.com/sam-daley-color-grading...
Organize Your DaVinci Resolve Work Area with New C
August 21, 2015, 12:33 PM
http://www.premiumbeat.com/blog/organize-your-davi...
In a fast-paced session, it's easy to lose track of each node's function in the tree. DaVinci Resolve 12's compound nodes offer a solution.
Connecting Colors, Emotions and Sound to Score ‘
August 18, 2015, 02:23 PM
http://www.avidblogs.com/timeline-tuesday-the-eter...
The article Connecting Colors, Emotions and Sound to Score ‘The Eternal Night of the Twelve Moons’ by Danny Rubio appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Speed Up Your Color Workflow Using Scene Cut Detec
August 14, 2015, 09:33 AM
http://www.premiumbeat.com/blog/speed-color-workfl...
DaVinci Resolve's Scene Cut Detection function chops a single file into multiple shots. Here's how to how to use this time-saving feature.
Greater LUT Control with Koji Advance
August 14, 2015, 05:53 AM
https://digitalfilms.wordpress.com/2015/08/14/koji...
For folks who like to use film emulsion LUTs (look up tables), Koji Color has recently updated its product line with Koji Advance. Koji Color is a collaboration between Dale Grahn – the highly regarded film lab timer (the film equivalent of a colorist) behind many blockbusters – and plug-in developer Crumplepop. Other products have […]
5 Tips For Day For Night Shots On Set And In Post
August 14, 2015, 05:51 AM
http://noamkroll.com/5-easy-tips-for-achieving-exc...
Low-light cameras like the Sony A7S and Canon C300 have been opening up incredible possibilities for shooting night exterior scenes without any lights at all. But there are still some huge advantages to shooting day for night which can make it an ideal choice for many filmmakers. So for those of you that are looking to go down that path, this article will detail exactly how to do it right.
LUTCalc: Trials, errors, and a full-range LC709A L
August 13, 2015, 04:25 PM
http://www.provideocoalition.com/lutcalc-trials-an...
After much experimentation, and a bit of failed hacking, I've come up with a good full-range Cine-EI LUT for Sony FS7/F5/F55. Read on, and download it and the end of the article...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.