It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 9, 2020, 01:13 PM
https://www.provideocoalition.com/ecamm-live-compu...
Many content producers have already made the core decision to use the NDI-powered Ecamm Live software for their studio to switch among local cameras, scenes with professional lower thirds and up to five live remote guests. Among the many equipment decisions to be made when planning a studio based on Ecamm Live is which macOS [...]Read More...
June 9, 2020, 01:13 PM
https://www.provideocoalition.com/kicking-the-tire...
True remote video editing takes some work to set up. It has to be fast. The system has to respond like it would if you were sitting in front of the NLE and the media was next to your desk or just down the hall. There has to be true audio and video sync. BeBop [...]Read More...
June 6, 2020, 06:52 PM
https://www.premiumbeat.com/blog/top-video-editing...
From basic cutting to adding effects and animations, here’s what to look for in a mobile video editing platform. Video editing has never been the most accessible ...
June 6, 2020, 06:51 PM
https://digitalfilms.wordpress.com/2020/06/05/is-g...
Like many in post, I have spent weeks in a WFH (work from home) mode. Although I’m back in the office now on a limited basis, part of those weeks included studying the various webinars covering remote post workflows. Not as a solution for now, but to see what worked and what didn’t for the […]
June 6, 2020, 06:51 PM
http://www.avidblogs.com/how-editors-can-deliver-v...
The post How Editors Can Deliver Video Content for Mobile-First Platforms Like Quibi appeared first on Avid Blogs.
June 6, 2020, 06:51 PM
https://www.provideocoalition.com/diy-land-shark-e...
Just when you thought it was safe to stay to go back out in the tornado…In this Impossible Shot, we show you how to create your own land shark FX shot—with free software and your own footage. If you’ve been too busy watching Downton Abbey and Masterpiece Theater these last few years, you may not [...]Read More...
June 5, 2020, 12:57 PM
https://postperspective.com/back-to-the-70s-to-edi...
By Randi Altman The ‘70s in America was a lot of things, but boring wasn’t one of them. There was the on-going war in Vietnam; there were widespread protests against that war; there was a developing major political scandal; and the feminist movement was in full swing. It’s also when Hulu’s Mrs. Continue reading → June 3, 2020 The post Back to the ‘70s to edit Hulu’s Mrs. America appeared first on postPerspective.
June 5, 2020, 12:57 PM
https://www.provideocoalition.com/aotc-devs/
In this interview, I’m talking with Jake Roberts, ACE. I have spoken with Jake twice before, for the 2015 film Brooklyn and the 2017 film The Hitman’s Bodyguard. Jake also edited the films Hell or High Water and Starred Up. He’s also edited the TV shows Skins, The Misfits and The Week We Went to [...]Read More...
June 5, 2020, 02:24 AM
https://motionarray.com/learn/motion-array/on-my-d...
The main theme of this film content is that it must be filmed on your desk, table or countertop. Get your creativity caps on and submit your work, because there are cash prizes of $6000 to win. You can only submit one video file. You have up to 2 minutes to share your creative short film story. You must only film within the limits of your desk, table, or countertop. You cannot include any other place or location. No budget is required for your production – get creative! For More Details:
#filmcontest#shortfilmcontestJune 4, 2020, 12:31 PM
https://lesterbanks.com/2020/06/how-to-pop-a-ballo...
Reimagine Fx shows how you can pop a balloon using only nCloth tools in Autodesk Maya. Amar Shinde (Reimagine Fx) continues his series that looks into using Maya nCloth for motion graphics animation. The latest
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.