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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Going Back in Time: Editing Hulu’s Mrs. America

June 4, 2020, 12:31 PM

https://postperspective.com/editing-hulus-limited-...

By Randi Altman The ‘70s in America was a lot of things, but boring wasn’t one of them. There was the on-going war in Vietnam, there were protests against that war, there was a major political scandal, and the feminist movement was in full swing. And it’s also when Hulu’s Mrs. America, Continue reading → June 3, 2020 The post Going Back in Time: Editing Hulu’s Mrs. America appeared first on postPerspective.

How to Fix a Muddy, Dull, Thin or Harsh-sounding S

June 4, 2020, 12:31 PM

http://www.avidblogs.com/how-to-fix-a-muddy-dull-t...

The post How to Fix a Muddy, Dull, Thin or Harsh-sounding Song appeared first on Avid Blogs.

Is your company prepared to work remotely?

June 4, 2020, 12:30 PM

https://www.provideocoalition.com/is-your-company-...

The last few weeks have driven home how disruptive unforeseen turmoil can be for the industry. While events such as the 2011 Tohoku tsunami and the SARS pandemic have demonstrated threats to business continuity in the past, the swiftness with which COVID-19 has impacted societal and economic norms is one more reminder that almost everyone [...]Read More...

Pixelworks hires post vets to lead TrueCut motion

June 3, 2020, 12:33 PM

https://postperspective.com/pixelworks-hires-post-...

Pixelworks, which provides video and display processing solutions, has beefed up its team with the hire of industry veterans Sarah Priestnall and Bruce Harris. The duo will lead TrueCut motion grading technology initiatives in North America, specifically targeting Hollywood. Introduced in 2019, Pixelworks TrueCut motion grading provides filmmakers with the ability to deliver at a cinematically tuned high frame rate while filming at any frame rate. Continue reading → June 2, 2020 The pos...

Follow These 15 Steps for a Perfect Walk Cycle Eve

June 2, 2020, 01:15 PM

https://lesterbanks.com/2020/06/follow-these-15-st...

Animator Chiara Porri has an easy to follow tutorial for creating a base walk cycle in 15 steps. The animation is part art, part science, and part observation. It’s simple enough to bust out the

Senior colorist Paul Ensby rejoins Technicolor i

June 2, 2020, 01:15 PM

https://postperspective.com/senior-colorist-paul-e...

Paul Ensby, a third-generation Technicolor employee, will be returning to the studio’s London facility this month. Following in his grandfather and father’s footsteps, he worked in Technicolor’s London film laboratory in the early ‘90s. Ensby then landed a role as a 35mm trainee feature grader before becoming a full-fledged color grader, working with directors such as Ridley Scott, Continue reading → June 1, 2020 The post Senior colorist Paul Ensby rejoins Technicolor in London...

6 Reasons for You to Upgrade to Resolve Studio Tod

May 30, 2020, 05:39 PM

https://www.premiumbeat.com/blog/resolve-studio-up...

DaVinci Resolve is unique among post-production applications in that it’s free. But, here are six reasons why you'd upgrade to its paid version.

Speed up Your Editing with a Keyboard-Only Workflo

May 30, 2020, 05:39 PM

https://www.premiumbeat.com/blog/premiere-pro-keyb...

Want to speed up your editing in Premiere Pro? Move to a keyboard-only editing style and improve your editing speed by twenty percent.

It’s great… Until it isn’t

May 30, 2020, 05:38 PM

https://digitalfilms.wordpress.com/2020/05/29/its-...

No, that picture at the top isn’t a map of Covid-19 hotspots. It’s the map of US users affected by this week’s Adobe sign-in outage. This past Wednesday (May 27th) affected users across all of Adobe’s various cloud products were unable to sign into their accounts – locking them out of using any installed Adobe […]

Mixing Muse—Marc Carolan talks with Robb Allan

May 30, 2020, 05:37 PM

http://www.avidblogs.com/mixing-muse-on-s6l/

The post Mixing Muse—Marc Carolan talks with Robb Allan appeared first on Avid Blogs.

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