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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review: Tangent Wave 2: Color Correction Surface

March 8, 2019, 07:21 AM

https://postperspective.com/review-tangent-wave-2-...

By Brady Betzel Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes? Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Continue reading → March 5, 2019 The post Review: Tangent Wave 2: Color Correction Surface appeared first on Randi Altman's postPerspective.

Review: Tanget Wave 2: Color Correction Surface

March 6, 2019, 07:15 AM

https://postperspective.com/review-tanget-wave-2-c...

By Brady Betzel Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes? Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Continue reading → March 5, 2019 The post Review: Tanget Wave 2: Color Correction Surface appeared first on Randi Altman's postPerspective.

Colorist Christopher M. Ray talks workflow for Ale

March 4, 2019, 12:56 PM

https://postperspective.com/colorist-christopher-m...

By Randi Altman Christopher M. Ray is a veteran colorist with a varied resume that includes many television and feature projects, including Tomorrowland, Warcraft, The Great Wall, The Crossing, Orange Is the New Black, Quantico, Code Black, The Crossing and Alpha. These projects have taken Ray all over the world, Continue reading → March 4, 2019 The post Colorist Christopher M. Ray talks workflow for Alexa 65-shot Alpha appeared first on Randi Altman's postPerspective.

Channel Combiner – Alternate Color Spaces

March 4, 2019, 12:55 PM

https://www.provideocoalition.com/classic-course-c...

After Effects converts all of your source material into RGB color space, with a separate alpha channel. However, sometimes it is useful to process an image in an alternate color space, such as video’s native YUV. This separates the luminance channel out from the color channels. Our eyes are far more sensitive to luminance than color.

SGO’s Mistika Ultima integrates AJA Kona 5

February 21, 2019, 06:44 AM

https://postperspective.com/sgos-mistika-ultima-in...

SGO has integrated AJA‘s Kona 5 audio and video I/O cards into its full finishing and workflow solution Mistika Ultima, providing simplified and optimized 8K production for broadcast clients. The new Mistika Ultima 8K System provides a realtime finishing workflow for 8K full UHD at 60p, even with uncompressed formats.  Continue reading → February 20, 2019 The post SGO’s Mistika Ultima integrates AJA Kona 5 appeared first on Randi Altman's postPerspective.

SGO Mistika Integrates AJA's Kona 5 Card for 8K Br

February 20, 2019, 06:57 AM

http://www.studiodaily.com/2019/02/sgo-integrates-...

The Kona 5, which shipped in November, is an eight-lane PCIe 3.0 capture card with 12G-SDI input and output, HDMI 2.0 output, and deep-color and multiformat HDR support. An AJA-provided SDK for Mac, Windows and Linux systems allows third parties to exploit the card’s 8K capabilities.

129 of the Best Free LUTs from Professional Colori

February 11, 2019, 11:44 AM

https://www.shutterstock.com/blog/129-free-cinemat...

Unlike a traditional roundup that just tells you all about finding free stuff, in this one, we’ve filtered dozens of free LUT packs to create a list of our favorites — and packs that we use the most often. (What is a LUT and how do you use one? We’re so glad you asked.)

Resolve: Best Plugins to Use with Fairlight

February 8, 2019, 05:21 AM

https://www.thehurlblog.com/davinci-resolve-quick-...

DaVinci Resolve comes fully loaded with a slew of plugins in their DAW to help get your audio tracks sounding the best they possibly can; 14 plugins in fact. However should you decide to venture into the wilderness of other plugin manufacturers, Let me guide you on that journey through what I feel are the the most effective. I’ll be focusing on the ideas I’ve covered in the previous Fairlight articles.

5 Color Illusions that Colorists should be familia

January 24, 2019, 10:43 AM

https://www.provideocoalition.com/5-color-illusion...

Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing enough to keep researchers busy in the foreseeable future. Their meaning would mainly depend on what kind of scientist you ask.

Color grading The Favourite

January 7, 2019, 06:09 PM

https://postperspective.com/color-grading-the-favo...

Yorgos Lanthimos’s historical comedy, The Favourite, has been getting a lot of awards attention. In fact, it came out on top at this year’s British Independent Film Awards (BIFAs), taking home home no less than 10 awards, including Best British Independent Film, Best Director for Yorgos and Best Screenplay. Five of those awards came in the craft category, Continue reading → January 7, 2019 The post Color grading The Favourite appeared first on Randi Altman's postPerspective.

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