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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Grading for a Cinematic Film Look in Adobe P

February 28, 2017, 08:00 PM

http://www.studiodaily.com/2017/02/color-grading-f...

Cinecom.net presents a 20-minute crash course in the Lumetri color-panel tools in Adobe Premiere Pro, which have largely replaced the need to round-trip footage through Adobe Speedgrade for many projects edited in Premiere. The post Color Grading for a Cinematic Film Look in Adobe Premiere Pro [Tutorial] appeared first on Studio Daily.

GH5 v. GH4 Footage - Post Noise Reduction

February 28, 2017, 06:05 AM

http://theangryvideoguy.com/index.php/2017/02/28/p...

The GH5 has a much cleaner final image without the blocky color noise you’ll see in the GH4. Instead of comparing just the camera output I wanted to compare what it looks like after basic processing.

#cameras#panasonic#gh5#pixelpeeping
Panasonic VariCam Pure 4K Camera Test Footage

February 24, 2017, 08:08 AM

http://theangryvideoguy.com/index.php/2017/02/24/p...

The VariCam Pure is a collaboration project between Panasonic and Codex. I hoped to see how much info is in the h.264 by lifting the image somewhat. The 5000ASA shots look good when you remember its…. 5000ASA.

#color grading#4k#panasonic#varicam
LiveGrade Pro LUT Transfer for Flanders Scientific

February 23, 2017, 03:08 PM

http://cinescopophilia.com/livegrade-pro-lut-trans...

Flanders Scientific show you how to save looks created in Pomfort’s LiveGrade Pro to an FSI monitor’s DIT LUT memory.

Behind the Title: MTI colorist Steve Porter

February 16, 2017, 01:16 PM

http://postperspective.com/behind-title-mti-colori...

NAME: Steve Porter COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? We are a Hollywood-based post facility that specializes in TV finishing, film restoration and software development. AS A COLORIST, WHAT WOULD SURPRISE PEOPLE ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 16, 2017 The post Behind the Title: MTI colorist Steve Porter appeared first on Randi Altman's postPerspective.

Tangent Ripple Review: The Lumetri Color Panel...

February 9, 2017, 02:30 PM

http://www.premierebro.com/blog/tangent-ripple-rev...

GET A CLOSE LOOK AT THE TANGENT RIPPLE IN THIS PREMIERE PRODUCT REVIEW, AND SEE WHAT MAKES IT ONE OF THE MOST PORTABLE AND AFFORDABLE COLOR GRADING PANELS ON THE MARKET, ESPECIALLY FOR THE PREMIERE PRO LUMETRI COLOR PANEL.

#adobe#premiere pro#ripple#lumetri#tangent
HDR Color Grading Lets T2 Trainspotting Keep Its E

February 6, 2017, 05:31 PM

http://www.creativeplanetnetwork.com/news/post/hdr...

Danny Boyle returns to the dark comedy that put him on the map with T2 Trainspotting, the sequel that reunites him with his breakout cast including Ewan McGregor, Jonny Lee Miller and Kelly Macdonald along with cinematographer Anthony Dod Mantle.

What is ACES? An Overview for Beginners

February 2, 2017, 06:59 AM

http://theangryvideoguy.com/index.php/2017/01/21/a...

Taking a look at what ACES means for post by taking a high level view of the overall concept. As it trickles down from big budget to mid size studios it's never too early to start.

#workflows#aces workflow#aces#aces color space#aces for beginners#color space
Color Grading Feature Film Colorist Masterclass wi

January 27, 2017, 10:41 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

In our two-day ICA 300 course we will be working on a project that was a theatrically released feature film.   The feature was shot on Red Epic using anamorphic lenses. We are going to take the film from the preparation for grading through to the final deliverables. Apart from the obvious color grading work we will also take an extensive look at the new features in Resolve V12 for online and mastering from a feature film perspective.Go here to learn more about this amazing class: http:...

Better Coloring Wth Ray Dynamic Color in After Eff

January 26, 2017, 10:35 AM

http://lesterbanks.com/2017/01/coloring-ray-dynami...

No surprise, there is no cogent way to work with color in After Effects. If you have thousands of layers, in hundred of composition, across multiple edits, you are on your own. It’s no wonder The Post Better Coloring Wth Ray Dynamic Color in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

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