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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

A Resolve 12 User Manual Reader’s Guide

July 27, 2015, 07:33 AM

http://vanhurkman.com/wordpress/?p=3302

The day has come. After months of development, the DaVinci Resolve 12 public beta is upon us, with dozens upon dozens of new features to use and explore, encompassing both the evolution of Resolve into a fully satisfying creative editing solution, as well as an extension of Resolve’s already powerful grading tools with fantastic new features and numerous workflow enhancements to make grading and finishing faster and smoother then ever.

A Deeper Dive into Lumetri Color

July 23, 2015, 08:09 PM

https://digitalfilms.wordpress.com/2015/07/23/a-de...

With the introduction of Premiere Pro CC 2015, Adobe altered how color correction can be handled within its editing application. The addition of the Lumetri Color effect puts a very powerful and intuitive color correction tool at the editor’s fingertips. I touched on some of its capabilities with SpeedGrade look files in a previous post, […]

Color Grading Tips For ‘Mixed Camera’ Projects

July 15, 2015, 09:43 AM

http://www.premiumbeat.com/blog/color-grading-tips...

Using footage from different types of cameras can make color grading a challenge. Here are some tips to make the process easier.

Capture your color inspirations with Adobe Color C

July 13, 2015, 09:26 AM

http://blogs.adobe.com/contentcorner/2015/07/13/ca...

Have you ever felt that a potentially-great design you created fell short of greatness just because there was ‘something’ not right about the colors? Putting together a good color palette for a project could be an agonizing task for an untrained eye, especially in the face of tight deadlines. You can overcome this conundrum with Adobe Color CC and have fun at the same time! With Color CC, you can easily create your own color themes from images or paintings that inspire you, capture colo...

Color Grading Vs. Color Correction: What's the Dif

July 10, 2015, 12:14 PM

http://www.lynda.com/articles/color-grading-vs-col...

What's the difference between color correction and color grading? The answer has changed among professional colorists in recent years. Find out how.

Using Match Color Command with Two Photos in Photo

July 5, 2015, 12:42 PM

http://feedproxy.google.com/~r/richardharringtonbl...

If you have an object that appears in two photos, Photoshop makes it easier to use both objects to better match color.  In this example, we'll select an object in both images and then apply a color adjustment to make the two areas match. 

How to Create 3D LUTs to Deliver the Power of your

June 29, 2015, 12:30 PM

https://www.hurlbutvisuals.com/blog/2015/06/how-to...

The most difficult part about creating a 3D LUT is understanding how you want to create the LOOK. The easy part is creating the file. You can create a 3D LUT in DaVinci Resolve in both the Full version and the Lite version, which is free. (With the full version, it is required that you have a USB dongle for the program to work.)

Lumetri plus SpeedGrade Looks

June 28, 2015, 07:43 AM

https://digitalfilms.wordpress.com/2015/06/28/lume...

Last year I created a series of Looks presets that are designed to work with SpeedGrade CC. These use Adobe’s .look format, which is a self-contained container format that includes SpeedGrade color correction layers and built-in effects. Although I specifically designed these for use with SpeedGrade, I received numerous inquiries as to how they could […]

Color Science, Explained (Part 1)

June 25, 2015, 04:03 PM

http://blogs.adobe.com/premierepro/2015/06/color-s...

  The theme of the 2015 release of Creative Cloud pro video tools is “Creativity just got a lot more colorful.” With color being such a hot topic at Adobe and beyond, we interviewed Lars Borg, Adobe’s resident color expert, to tell us more about color science and what filmmakers and video enthusiasts can take away from such a deep field. Stay tuned for Part 2, where we’re share key color science takeaways for working with video. Colors are a lot more than wavelengths on a spec...

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