It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2018, 08:52 AM
https://www.premierebro.com/blog/cinema-grade-mode...
Cinema Grade Brings DirectGrade, Step-By-Step Guided Grading, And Hollywood Film Looks To Premiere Pro. Cinema Grade is an all-new color grading application by Color Grading Central. In this post, you will learn how Cinema Grade can accelerate your color grading workflow and help you achieve cinematic results in Premiere Pro.
#adobe#color grading#premiere pro#premiere#cinema gradeOctober 20, 2018, 06:50 AM
http://vanhurkman.com/wordpress/?p=3796
A LUT is like a music loop or sample within a song, it can contribute to a grade, but it shouldn’t BE the grade. Automatic correction is like autotune, it can solve problems, but it shouldn’t be the main flavor of your grade. Plugins are like audio effects, a bit can give music texture, but too much makes it look like you’re concealing problems.
October 11, 2018, 12:33 PM
https://www.provideocoalition.com/learn-vegas-pro-...
HDR is a topic we’ve covered in great detail on PVC, and the appeal of the format can be simplified by saying that if 4K is about more pixels, HDR is about better pixels, and that’s a difference audiences have come to recognize. It’s also the reason that VEGAS Pro 16 now offers an end-to-end workflow for High Dynamic Range color. VEGAS Pro users can now deliver HDR content with stunning color and detail along with important metadata. The software is also compatible with professional HDR-ca...
October 3, 2018, 06:23 AM
https://news.creativecow.net/story/894422
(Fremont, CA--October 2, 2018) Blackmagic Design announced today that Japanese post house Incolor installed DaVinci Resolve Advanced Panel and DaVinci Resolve Studio. Incolor, founded in 2015 by prominent photographer Shoji Uchida, specializes in remote grading by foreign colorists for commercials and music videos.
September 24, 2018, 12:46 PM
https://news.creativecow.net/story/894330
(Fremont, CA--September 19, 2018) Blackmagic Design announced today that DaVinci Resolve Studio and DaVinci Resolve Mini Panel were used for the color grading of BS Japan's popular drama series "Rumor Woman.”
September 7, 2018, 12:46 PM
https://postperspective.com/behind-title-carbon-se...
NAME: Julien Biard COMPANY: Carbon in Chicago CAN YOU DESCRIBE YOUR COMPANY? Carbon is a full-service creative studio specializing in design, color, visual effects and motion graphics, with offices in Chicago, Los Angeles and New York. WHAT’S YOUR JOB TITLE? Continue reading → September 7, 2018 The post Behind the Title: Carbon senior colorist Julien Biard appeared first on Randi Altman's postPerspective.
September 4, 2018, 07:23 AM
https://www.premierebro.com/premiere-in-post/the-c...
3-Part Tutorial Series On Lumetri Scopes And Lumetri Color Panel In Premiere Pro. This tutorial series, featuring chinfat, is truly all you need to know about color correction and color grading in Premiere Pro.
#adobe#premiere pro#color#adobe premiere#lumetriAugust 17, 2018, 09:35 AM
http://www.studiodaily.com/2018/08/review-codex-co...
Currently available for Apple Final Cut Pro X, ColorSynth is an elaborate pre-wired network of color-processing nodes. The color-grading tool, which is based on FCP X’s Effect and Title Generator paradigm, has more than 60 items arranged in an eight-layer stack with several sublayers. ColorSynth is touted as having all the features and power of […] The post Review: Codex ColorSynth Color-Grading Plug-In appeared first on Studio Daily.
August 15, 2018, 12:28 PM
https://postperspective.com/colorist-asa-shoul-joi...
Warner Bros. De Lane Lea (WBDLL) has added colorist Asa Shoul to its new picture services department, which will launch this September. Shoul’s recent credits include Mission Impossible: Fallout, Baby Driver, Amazon’s Tin Star and recently received a BAFTA craft award for his work on the multi award-winning Netflix series The Crown. Continue reading → August 15, 2018 The post Colorist Asa Shoul joins Warner Bros. De Lane Lea appeared first on Randi Altman's postPerspective.
August 12, 2018, 04:50 PM
https://postperspective.com/colorist-bob-festa-yel...
Paramount Network’s Yellowstone, from creator, writer and director Taylor Sheridan (Sicario, Hell or High Water), is a 10-episode modern-day Western starring Kevin Costner as the patriarch of the Duttons, owners of the largest ranch in the contiguous United States. The Dutton family is in constant conflict with owners of the property surrounding their land, Continue reading → August 12, 2018 The post Colorist Bob Festa on Yellowstone’s modern Western look appeared first on Randi Alt...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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