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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ICA Beijing report

August 12, 2018, 04:50 PM

https://icolorist.com/2018/08/12/ica-beijing-repor...

We have received lots of training enquiries from China during our nine years so it was great to finally run ICA classes in Beijing.

Panasonic creates a new and FREE VariCam and EVA1

August 9, 2018, 06:40 AM

https://www.provideocoalition.com/panasonic-create...

It’s time to play with Panasonic’s new offer: 35 unique 3D Look Up Tables that enable filmmakers to create a variety of looks with VariCam and EVA1 cinema cameras. And they’re completely free!

CinePlay 1.5.3 for Mac - marker color shortcuts, t

July 31, 2018, 05:29 PM

http://www.digitalrebellion.com/blog/posts/cinepla...

CinePlay 1.5.3 offers some great new additions to our Mac media player aimed at video professionals. Marker color shortcut keys You can now use Shift in combination with a number key to add a marker of a specific color. Additionally, the last marker color chosen is now remembered when adding a new marker, making it quicker to add colored markers to a video. Trackpad seeking Scrolling left and right on your trackpad will now seek within a file, as will adjusting the scroll wheel horizo...

Quick Chat: Freefolk colorist Paul Harrison

July 31, 2018, 12:12 PM

https://postperspective.com/quick-chat-freefolk-co...

By Randi Altman Freefolk, which opened in New York City in October 2017, was founded in London in 2003 by Flame artist Jason Watts and VFX artist Justine. Originally called Finish, they rebranded to Freefolk with the opening of their NYC operation. Freefolk is an independent post house that offers high-end visual effects, Continue reading → July 31, 2018 The post Quick Chat: Freefolk colorist Paul Harrison appeared first on Randi Altman's postPerspective.

261: Color Correction and Grading in Apple FCPX

July 29, 2018, 07:08 AM

https://larryjordan.com/261-color-correction-and-g...

Color correction and color grading are the final steps in making our images look their best. In this session, Larry Jordan takes a closer look at the improved color tools in Final Cut Pro 10.4 and illustrates how to use them to enhance your images.

The Handmaiden‘s colorist walks us through scene

July 24, 2018, 11:13 AM

https://postperspective.com/handmaidens-colorist-w...

Inspired by Sarah Waters’s 2002 novel, Fingersmith, director Chan-Wook Park The Handmaiden is set in 1930s colonial Korea and Japan. In the film, Park presents a tale of a young Japanese lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, Continue reading → July 24, 2018 The post The Handmaiden‘s colorist walks us through scenes appeared first on Randi Altman's postPerspective.

COLOUR GRADING WITH DANIEL PRINCIPE – SA

July 23, 2018, 05:43 AM

https://www.screeneditors.com.au/colour-grading-wi...

Editor and Colourist Daniel Principe will explain his process, philosophy and thoughts re all things colouring. Proudly presented by the ACS and ASE SA branches with FREE ENTRY FOR MEMBERS. Tuesday 31st July 6pm for 6:30 start SAFC - 1 Mulberry Road, Glenside, SA $5 for students & Other guild members. $10 general admission. Tix […]

Behind the Title: DigitalFilm Tree colorist Rick D

July 21, 2018, 08:17 AM

https://postperspective.com/behind-title-digitalfi...

NAME: Rick Dalby COMPANY: DigitalFilm Tree CAN YOU DESCRIBE YOUR COMPANY? I would describe DigitalFilm Tree (DFT) as a smaller, bleeding-edge, independently-owned post house that is capable of remote dailies, color and edit. I work with fellow colorists Dan Judy and Patrick Woodard. Continue reading → July 20, 2018 The post Behind the Title: DigitalFilm Tree colorist Rick Dalby appeared first on Randi Altman's postPerspective.

Behind the Title: Colorist David Rivero

July 16, 2018, 10:35 AM

https://postperspective.com/behind-title-colorist-...

NAME: David Rivero Martin COMPANY: Freelance colorist based in China. CAN YOU DESCRIBE WHAT YOU DO? I color grade and supervise the finishing of feature films and commercials — normally, all versions and often the trailers associated with them. AS A COLORIST, Continue reading → July 16, 2018 The post Behind the Title: Colorist David Rivero appeared first on Randi Altman's postPerspective.

Hawaiki AutoGrade

July 13, 2018, 06:42 AM

https://digitalfilms.wordpress.com/2018/07/13/hawa...

The color correction tools in Final Cut Pro X are nice. Adobe’s Lumetri controls make grading intuitive. But sometimes you just want to click a few buttons and be happy with the results. That’s where AutoGrade from Hawaiki comes in. AutoGrade is a full-featured color correction plug-in that runs within Final Cut Pro X, Motion, […]

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