It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 5, 2015, 09:43 AM
http://www.premiumbeat.com/blog/blockbuster-looks-...
The Transformers franchise helped usher in the era of the Teal and Orange color palette. Here's how to achieve Hollywood's go-to look in DaVinci Resolve.
June 5, 2015, 09:42 AM
http://www.videoguys.com/blog/cool-gadgets/teradek...
The guys at Onyx Cinema just created 2 very informational and entertaining videos explaining the standards of on-set color workflow. They then go on to show how technology is changing the process to become faster and more convenient using LUT integrated products from Teradek, SmallHD, Filmconvert, and Pomfort. Check out the videos below and share Read More The post Teradek LUTs on-set color workflow appeared first on Videoguys Blog.
June 4, 2015, 12:26 PM
https://convergent-design.com/odyssey7q-knowledge-...
A 3D LUT is a way of transforming an image, where any set of red, green and blue values at the input map to a different set of red, green and blue values at the output. Unlike a 1D LUT, where a given red value at the input will always map to the same red value at the output (like Curves in Photoshop) with a 3D LUT, the output value in each channel is affected by the input values in all three channels.
June 4, 2015, 09:31 AM
http://www.provideocoalition.com/hues-on-first-eas...
Colour correction is one of the most important aspects of compositing and visual fx. This quick tip will show you the best way to begin colour correcting different layers in a composition - just by pointing your mouse.
June 3, 2015, 02:07 PM
http://www.studiodaily.com/2015/06/convergent-desi...
Convergent Design announced the release of the latest firmware for the Odyssey line of monitor/recorders, including custom 3D LUTs. Firmware version 2015.5 now supports up to 140 user-loadable 3D LUTs for monitoring on the Odyssey 7Q and 7Q+. The LUTs … more » The post Convergent Design Adds 3D LUT Support in New Odyssey Firmware appeared first on Studio Daily.
June 2, 2015, 04:23 PM
http://postperspective.com/behind-title-colorist-m...
NAME: Mark Todd Osborne (@marktoddosborne) WHAT’S YOUR JOB TITLE? Senior Digital Colorist WHERE DO YOU WORK? I perform color at several facilities in Los Angeles, and I have a side company called MTO ColorData, which helps keep me busy, when I’m in between post house jobs. WHAT DOES YOUR JOB ENTAIL? As a color artist, I help bring out the production value of the digital neg and design a “look” that helps best tell the story through mood and tone. WHAT WOULD SURPRISE PEOPLE THE ...
June 2, 2015, 04:22 PM
http://www.videoguys.com/blog/video-editing/red-gi...
Red Giant’s Magic Bullet Suite has been around a long time, and recently, version 12 came out. I got a chance to test it out and what I found was an impressive toolset that’s been significantly improved from previous iterations; and good news for FCP X editors, you now have access to the (most of Read More The post Red Giant Magic Bullet Suite 12 Review by David Arbor appeared first on Videoguys Blog.
June 1, 2015, 01:03 PM
http://www.moviemaker.com/archives/print/spring-20...
Sure, you thought about your edit, visual effects, and music during pre-production… but you overlooked color correction. This happens often, yet color is an incredibly important part of any film—a huge driver for mood and tone.
June 1, 2015, 04:53 AM
http://noamkroll.com/how-to-match-skintones-perfec...
Skin tones are arguably the most important element of your image to get right when color grading, yet most editors and amateur colorists approach skin
May 30, 2015, 06:08 AM
http://soundandpicture.com/2015/05/academy-color-e...
Los Angeles, CA — ACES, the new Academy Color Encoding System, will be explored by a panel of experts at Cine Gear at the Sherry Lansing Theater at Paramount Studios in Hollywood on June 6 from 10:15 a.m. to 11:30 a.m. Titled ACES for Hands-on Filmmakers, the panel is presented by the International Cinematographers Guild (ICG, IATSE Local 600) and the American Society of Cinematographers (ASC) Technology Committee, in cooperation with the Academy of Motion Picture Arts and Sciences (AMPAS).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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