It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 26, 2015, 04:23 PM
http://blogs.adobe.com/movingcolors/2015/05/26/thi...
Join Robbie Carman for a free Ask a Video Pro webinar this Thursday, May 28th to learn how you can bring creative color into your editing and postproduction workflow: REGISTER Colorist Robbie Carman began his career as an editor, so he knows both sides of the traditional divide between cutting and finishing. But he’ll be the first to tell you that the traditional divide is a thing of the past. With today’s digital workflows, powerful hardware and production tools creative work with colo...
May 25, 2015, 04:30 AM
http://floobynooby.blogspot.ca/2015/05/color-and-c...
I think it's natural for anyone passionate in their field to study and enjoy the work of their peers, but sometimes it gets in the way of the experience. I know I find it very difficult to watch a movie and NOT analyze the craftsmanship behind it....but you know you're watching a good one when all you can see is the story un-fold, but even then I can't help but notice things like lighting choices, camera moves and color.
May 22, 2015, 10:07 AM
http://cinescopophilia.com/fcpx-colorist-professio...
The FCPX Colorist brings professional color grading tools to Final Cut Pro X users. Now, editors can adjust curves, hues, saturations, and color levels like never before without ever having to open another color grading software. With intuitive pop-up windows and custom preset loaders, The FCPX Colorist can help Final Cut Pro X users create endless color grade looks.
May 19, 2015, 09:35 AM
http://www.premiumbeat.com/blog/davinci-resolve-wo...
Get to know the DaVinci Resolve workflow from client to delivery with this in-depth roundtrip tour.
May 15, 2015, 03:43 AM
http://cinescopophilia.com/rocket-rooster-cinema-c...
The all new Looks pack is here, the Rocket Rooster Cinema Colour II. The pack is based off Super 35 and Super 16 Film stock and features a set of film emulation LUTs that you can use to get the look of popular film stock in just a few clicks.
May 14, 2015, 09:27 AM
http://www.videoguys.com/blog/video-editing/tiffen...
In this review Red Shark’s Phil Rhodes takes a look at Tiffen’s DFX 4 filters. These filters can plug-into popular NLE’s such as FCPX, Adobe Premiere & Avid. They allow you to mimic their popular line of optical filters in post production, complete with keyframing to control where, when and how the filters are applied. ReShark Read More
May 13, 2015, 09:26 AM
http://www.finalcutpro.es/2015/05/video-correccion...
Hemos preparado este vídeo en el que desgranamos algunas técnicas útiles para corregir color en Final Cut Pro X, especialmente a partir de la versión 10.2, que incluye cambios significativos en la gestión de la corrección de color.
May 13, 2015, 04:55 AM
http://www.redsharknews.com/post/item/2581-redshar...
RedShark Technical Editor, Phil Rhodes, reviews Tiffen's new standalone and plug-in package of digital filters that mimics its popular line of optical filters. TiffenDFX 4optical filtersfiltrationdigital filtersReviewPromistSoft FXUltra Contrast
May 12, 2015, 04:35 PM
http://postperspective.com/helping-color-kurt-coba...
Company 3’s Shane Harris works with director Bret Morgen on this new documentary Director Brett Morgen spent eight years putting together the documentary Kurt Cobain: Montage of Heck, which tells the fascinating and tragic story of the Nirvana front man in a very intimate way via never-before-heard recordings, animations based on his mostly unseen drawings. There are also very personal home movies and interviews Morgen did with the artist’s mother, band mates, friends and wife, Courtney...
May 8, 2015, 01:29 PM
http://postperspective.com/behind-title-colorist-j...
NAME: Jim Wicks CAN YOU DESCRIBE YOUR COMPANY? Color correction and color grading services for motion pictures, television, web. WHAT’S YOUR JOB TITLE? Colorist WHAT DOES THAT ENTAIL? I help filmmakers tell stories by digitally altering colors, hue, luminance and more. WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? My friend, Gray Marshall, calls me the film whisperer. I am a bridge between the director or cinematographer’s vision and what the film wants t...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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